NiSi 112mm Circular Filters for Nikon Z 14-24mm
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-6-stop ND-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-10-stop ND-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-Natural Night-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-Natural CPL-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-NC UV-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-Lens Hood-

NiSi 112mm Circular Filters for Nikon Z 14-24mm

NISI112NCUV

Regular price R 3,899.00
/
Tax included.
3 in stock

Filter

The NiSi 112mm Circular Filters for Nikon Z 14-24mm has been designed to work with the custom NiSi Lens Hood for Nikon Z 14-24mm F/2.8 S with 112mm Filter Thread.  The Nikon HB-97 allows light to enter from behind the lens and is not suitable for long exposures, so NiSi has designed a lens hood with NO light leak for better performance with ND filters and long exposures. 

Each of the NiSi 112mm filters have an ultra-slim frame to ensure no vignetting, are made from the highest quality optical glass for optimal image quality, maximum light transmission and even light distribution.

Available for the Nikon Z 14-24mm

  • NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread
  • NiSi 112mm NC UV
  • NiSi 112mm True Color CPL
  • NiSI 112mm 3 Stop ND (ND8)
  • NiSI 112mm 6 Stop ND (ND64)
  • NiSI 112mm 10 Stop ND (ND1000)
  • NiSi 112mm Natural Night


NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread

The NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread is a redesigned lens hood for the Nikon Z 14-24mm f2.8S to replace the HB-97 included with the lens. The Nikon HB-97 allows light to enter from behind the lens and is not suitable for long exposures, so NiSi has designed a lens hood with NO light leak for better performance with ND filters and long exposures. The NiSi Lens hood features the same flower-shaped design with the dimensions matching the Nikon HB-97 lens hood and includes a 112mm filter thread compatible with NiSi’s 112mm circular filters for Nikon 14-24mm. The hood features a locking screw that will keep the hood attached to the lens to add safety and security.

Please note this lens hood is ALSO compatible with the Z 24-70mm f/2.8 S and Z 70-200mm f/2.8 VR S.  It allows the use of 112mm filters across all three lenses.

NiSi 112mm Circular NC UV Filter for Nikon Z 14-24mm

NiSi’s ultra-thin UV filter adopts a double-sided, multi-coating lens technology that employs high-quality ultraviolet absorption optical glass.  It assures high transmittance and a highly smooth surface that avoids unnecessary reflection. The frame is constructed from Brass using highly accurate brass milling. The NiSi 112mm Circular NC UV Filter has an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. The filter cut the UV light below 365nm and features 9 layers of Nano coating on each side of the filter. The transmittance of the UV filter is extremely high at 99.3%.

The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.


NiSi 112mm Circular True Color Pro Nano CPL Filter for Nikon Z 14-24mm

The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum.  NiSi’s True Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.  The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze.  A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light.  This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust, and water stains.

NiSi’s ultra-thin filter adopts a double-sided, multi-coating lens technology that employs high-quality optical glass.  The NiSi 112mm Circular True Color CPL Filter has an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. 

 

NiSi 112mm Circular NC NDs (3-, 6- or 10- Stop) Filters for Nikon Z 14-24mm

The NiSi 112mm Circular NC NDs are designed to reduce the amount of light entering the camera by 3, 6 or 10 stops. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and provides a reduction in light entering the lens.

The ND Filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control the depth of field and convey movement in your images. By using neutral density filters the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at a small aperture. The added infrared protection coating layer to this filter helps to eliminate the infrared light through the lens to bring back the natural color.

NiSi’s ultra-thin filter adopts a double-sided, multi-coating lens technology that employs high-quality optical glass. The frame is constructed from Brass using highly accurate brass milling. These filters also have an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. 

What each density is typically used for

  • ND8 (3 Stop) – The ND8 3-stop is commonly used for waterfalls and capturing water flow at shutter speeds from 0.5 seconds to 2 seconds.
  • ND64 (6 Stop) – The ND64 6-stop ND filter is generally used during the golden hour to create exposures of 1-2 minutes for smooth water or clouds.  A 6 Stop is also great for capturing dynamic water while retaining some texture before the golden hour.
  • ND1000 (10 Stop) – The ND1000 10-stop is used during the day outside of golden hour as the bright ambient light requires much more ‘light blocking’. These can prolong exposures for up to 5 minutes during golden hour with the appropriate settings.

CHOOSING NISI

Solid Neutral Density Filters

Solid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.

They are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops.

3-Stop | 0.9 - This filter is used to add a slight blur to water before the sun has set or after it has risen. At f/16 and ISO100, it is impossible to achieve a slow enough shutterspeed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutterspeed of 1/10s to 1/2s during this golden sunlight phase, producing soft lines in the waves.

6-Stop | 1.8 - This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutterspeed at f/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise.

10-Stop | 3.0 - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f/11-16 and ISO100, it usually produces a shutterspeed of 20-30s in early morning or late afternoon with strong sunlight.

15-Stop | 4.5 - This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour.

CHOOSING NISI

Graduated Neutral Density Filters

Landscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half.

When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image it shows the result without any filter and on the right it shows the result with the filter. Graduated Filters have two variables - the graduation type and the density. Read below to find out more.

CHOOSING NISI

Graduation Type

This determines how the filter changes from transparent to dark. No two landscapes are the same and thus there are different grads for different situations.

These filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.

Hard Grad - These filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads.

Medium Grad – Medium grads are a newer product that most manufacturers only released in 2016/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.

Reverse Grad – These filters serve a very niche, but useful purpose. When shooting into a bright sunset/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon.

Focal Length Factor - A longer focal length softens the graduation as the image is captured through a smaller portion of the filter. If you shoot a lot of landscapes with your 24-70 or 70-200, then you'll need hard grads.

CHOOSING NISI

Graduation Density

All the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges.

The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular.

1. 0.3 (1-stop) is for experienced shooters, usually to be combined with a 0.6 or 0.9.

2. 0.6 (2-stop) is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.

3. 0.9 (3-stop) is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.

4. 1.2 (4-stop) is for shooting directly into a very bright sunset/sunrise.

CHOOSING NISI

Local ambassadors

See how local NiSi ambassador Kyle Goetsch is putting his filters to work. Photo by Kyle Goetsch taken with the NiSi 6-stop ND.