NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-6-stop ND-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-10-stop ND-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-Natural Night-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-Natural CPL-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-NC UV-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-
NiSi 112mm Circular Filters for Nikon Z 14-24mm-Lens Hood-

NiSi 112mm Circular Filters for Nikon Z 14-24mm

Regular price R 4,349.00
/
Tax included.
3 in stock

Filter

The NiSi 112mm Circular Filters for Nikon Z 14-24mm has been designed to work with the custom NiSi Lens Hood for Nikon Z 14-24mm F/2.8 S with 112mm Filter Thread.  The Nikon HB-97 allows light to enter from behind the lens and is not suitable for long exposures, so NiSi has designed a lens hood with NO light leak for better performance with ND filters and long exposures. 

Each of the NiSi 112mm filters have an ultra-slim frame to ensure no vignetting, are made from the highest quality optical glass for optimal image quality, maximum light transmission and even light distribution.

Available for the Nikon Z 14-24mm

  • NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread
  • NiSi 112mm NC UV
  • NiSi 112mm True Color CPL
  • NiSI 112mm 3 Stop ND (ND8)
  • NiSI 112mm 6 Stop ND (ND64)
  • NiSI 112mm 10 Stop ND (ND1000)
  • NiSi 112mm Natural Night


NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread

The NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread is a redesigned lens hood for the Nikon Z 14-24mm f2.8S to replace the HB-97 included with the lens. The Nikon HB-97 allows light to enter from behind the lens and is not suitable for long exposures, so NiSi has designed a lens hood with NO light leak for better performance with ND filters and long exposures. The NiSi Lens hood features the same flower-shaped design with the dimensions matching the Nikon HB-97 lens hood and includes a 112mm filter thread compatible with NiSi’s 112mm circular filters for Nikon 14-24mm. The hood features a locking screw that will keep the hood attached to the lens to add safety and security.

Please note this lens hood is ALSO compatible with the Z 24-70mm f/2.8 S and Z 70-200mm f/2.8 VR S.  It allows the use of 112mm filters across all three lenses.

NiSi 112mm Circular NC UV Filter for Nikon Z 14-24mm

NiSi’s ultra-thin UV filter adopts a double-sided, multi-coating lens technology that employs high-quality ultraviolet absorption optical glass.  It assures high transmittance and a highly smooth surface that avoids unnecessary reflection. The frame is constructed from Brass using highly accurate brass milling. The NiSi 112mm Circular NC UV Filter has an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. The filter cut the UV light below 365nm and features 9 layers of Nano coating on each side of the filter. The transmittance of the UV filter is extremely high at 99.3%.

The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.


NiSi 112mm Circular True Color Pro Nano CPL Filter for Nikon Z 14-24mm

The NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create. Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum.  NiSi’s True Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.

A Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.  The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze.  A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light.  This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.

Our proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust, and water stains.

NiSi’s ultra-thin filter adopts a double-sided, multi-coating lens technology that employs high-quality optical glass.  The NiSi 112mm Circular True Color CPL Filter has an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. 

 

NiSi 112mm Circular NC NDs (3-, 6- or 10- Stop) Filters for Nikon Z 14-24mm

The NiSi 112mm Circular NC NDs are designed to reduce the amount of light entering the camera by 3, 6 or 10 stops. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and provides a reduction in light entering the lens.

The ND Filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control the depth of field and convey movement in your images. By using neutral density filters the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at a small aperture. The added infrared protection coating layer to this filter helps to eliminate the infrared light through the lens to bring back the natural color.

NiSi’s ultra-thin filter adopts a double-sided, multi-coating lens technology that employs high-quality optical glass. The frame is constructed from Brass using highly accurate brass milling. These filters also have an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. 

What each density is typically used for

  • ND8 (3 Stop) – The ND8 3-stop is commonly used for waterfalls and capturing water flow at shutter speeds from 0.5 seconds to 2 seconds.
  • ND64 (6 Stop) – The ND64 6-stop ND filter is generally used during the golden hour to create exposures of 1-2 minutes for smooth water or clouds.  A 6 Stop is also great for capturing dynamic water while retaining some texture before the golden hour.
  • ND1000 (10 Stop) – The ND1000 10-stop is used during the day outside of golden hour as the bright ambient light requires much more ‘light blocking’. These can prolong exposures for up to 5 minutes during golden hour with the appropriate settings.

Do you have the item in stock? 

Products are either in stock, out of stock (sold out) or special order. 

  • In stock: We have stock at our local warehouse. You can see how many we have in stock, add these products to your cart and check out. 
  • Sold out: We usually carry stock of this item but it has sold out. Please get in touch to get an ETA and reserve and incoming product. Or use the "Email me when available" button to get an email when new stock arrives. 
  • Special order: We don't carry local stock of this item. Get in touch to confirm stock availability and ETA to place an order. 

Delivery options and what they cost

We pride ourselves on lightning fast shipping, FREE on all orders over R1000. For orders under R1000 a courier fee of R120 will apply. Apart from large f-stop gear orders and large tripods, most of our items ship overnight and the daily cutoff is 13:00. You can read more on the deliveries page

Can I collect my parcel? 

Yes, you can collect your order from our warehouse in Saxenburg Park, Blackheath (08:00 - 14:00). Just choose the collection option at checkout- we'll follow up with the specifics. Please note that we are very strict about payment if collecting. We will not release any goods if we are not 100% comfortable about payment. We accept the following as payment confirmation in order to release the goods. 

  • Payfast Card Payment (any customers, new or returning)
  • EFT from FNB to FNB, pending fund clearance (any customers, new or returning)
  • Normal EFT from other banks to FNB (return customers only)
  • Instant EFT from other banks to FNB, pending fund clearance (Any customers, new or returning) 
  • Cash (any customers, new or returning)

What payment options are available?  

  • EFT
  • EFT via Payfast
  • Credit card: VISA & Mastercard
  • Payflex
  • Float

What is your policy on returns and or exchanges?

We are more than happy to exchange any product for something else or a full refund* if you feel that the item you chose isn’t quite right for you. See our Return Policy page for more. 

*If paying with any card, 4.5% of the transaction value goes to the credit card payment facilitation company. "Full Refund" means that we will return the full amount we received after the credit card service fees. If you are at all unsure that what you're buying is ideal for you, rather opt for EFT payment to be safe. 

Where is my order? How can I track my order?

You will receive an email with your tracking number once your order has been collected by our couriers. You can also find tracking number for your orders under "My account" 

You can also shop NiSi Filters at the following retailers & dealers. 
Orms Cape Town
Shop 5 Roeland Square, Cnr Roeland and, Upper Canterbury St, Cape Town
0214653573
Orms Bellville
Victorian Towers, 2 Palm St, Bellville, Cape Town
Fritz, 0219101380
FilmFlow (Cinema Specialist)
Boskruin, Randburg
Deon Truter, 07823148308
Kameraz
Rosebank Mall, 50 Bath Avenue, Rosebank, Johannesburg
Martin Wright, 0118802885
Photoquip
28 Pearce St, Berea, East London
043 726 2200
Lime Photo
Kloof, Durban
Emil, 0844849959
 
You can also shop Leofoto Tripods at the following retailers & dealers. 
Orms Cape Town
Shop 5 Roeland Square, Cnr Roeland and, Upper Canterbury St, Cape Town
0214653573
Orms Bellville
Victorian Towers, 2 Palm St, Bellville, Cape Town
Fritz, 021 910 1380
Lime Photo
Kloof, Durban
Emil, 0844849959
3% Tactical
Durbanville
Bernard Kotze - 0727156743
Ivan Fourie - 0825290593
Pretoria Arms
1032 Silvergrass St, Montana, Pretoria, 0182
Wayne Lesch – 0798834407

Damien Bradshaw 
Eastern Cape (Hunting Products Only)
0835749134

Approved Arms
Pretoria
Dirk Pio  – 0730556726
 

We have a no-nonsense approach. If a product breaks due to a manufacturer defect, we will replace it without asking any questions. If we have any reason to believe that the product was put through unreasonably heavy usage, we will have to follow the manufacturer's standard warranty procedure. 

Find more info on proper care and use for each brand below. 

NiSi Care & Use

F-stop Care & Use

Leofoto

The manufacturer offers a 10-year limited warranty on all products and we extend that warranty to our customers. Please read the below very carefully, so you understand your position when something breaks or doesn’t work ideally anymore.

It is critical to understand that this warranty only applies to factory faults and not to standard wear and tear. Tripods are subject to a lot of gray areas in this regard as tripods used outdoors, particularly in sand and sea water, are subjected to extreme wear and tear. We will e.g. replace the affected part of your tripod if a carbon tube snaps or cracks without much pressure applied to it or if the apex breaks. We will not replace your tripod or the affected part if e.g. a joint locks up due to sand or salt build up or if a hinge becomes corroded or stiff/floppy and unserviceable due to corrosion or salt build up. 

In sum, if we see that you took good care of your tripod and something went wrong, we will go out of our way to fix or replace it for you. If we see that you dragged it through the mud (literally or metaphorically), then we are unlikely to fix/replace it for you. How you handle your tripod and take care of it, is all the difference between 3- or 20 years of service. 

The best of tripods will not last longer than 2/3 years if used regularly in the sea, INCORRECTLY, and never serviced. Always make sure to extend the lowest leg section first, so you keep the joints out of the water/sand. Always rinse with freshwater after use in the sea, wipe down with a wet cloth, leave extended to dry and ENSURE YOU KEEP THE HEAD AND APEX DRY. If your tripod’s joints start feeling sandy/gritty, open them up, give them a proper clean and lubrication and fine-tune the tension on the joints.

If travelling on dirt roads, ensure that your tripod is in its carry-bag when not in use.

Your tripod will not take care of itself – it is up to you to do so. All our tripods ship with an info-sheet on taking care of your tripod. We also offer a full tripod disassembly and service for R1000, including shipping both ways.

CHOOSING NISI

Circular or Square?

This is the first question to ask yourself when deciding which filter system to invest in. Each one has its pros and cons and while most prefer a square system, a surprisingly large percentage of people prefer circular systems for their economy and portability.

1. Economy - Circular filters win hands down when it comes to economy. An 82mm 10-Stop IRND costs R1 999.00 compared to R3 299.00 for its 100mm square counterpart. Circular filters don't require a filter holder, which can cost anything from R1200 - R5000.

2. Portability - Circular filters also win hands down when it comes to size and portability. They are smaller, lighter and take up very little space compared to the equivalent square system.

3. Versatility - This is where square systems take the lead as you can combine an independently rotating CPL with up to 2/3 filters (150mm/100mm). You can also stack circular filters, but you will quickly lose a lot of your wide focal length as you will see the filters in the frame.

4. Graduated Filters - While circular grads do exist, they are flawed from the drawing board as the graduation can only be in the middle of the frame, which forces you to compose the horizon in the middle. A square system allows the graduation to be positioned at any height in the frame.

If your priority is versatility and you want to use grads, go for a square system. If your priority is economy and portability and you're not bothered about using grads, go for a circular system. *Circular filters can be used on multiple lenses by purchasing 82mm filters and using the V5 step rings.

CHOOSING NISI

I choose square, but which system size?

This is determined by the thread size of the primary lens you want to use the filters on. For landscape photography this is usually your wide angle lens.

1. For thread sizes of 67mm and smaller, the 75mm system is ideal.

2.  For thread sizes of 62mm - 82mm, the 100mm system is ideal.

3.  If you have an ultra-wide lens with a bulbous front element and no thread, the 150mm system is your only choice.

4.  If you have the Canon 11-24mm, the 180mm system is your only choice.

CHOOSING NISI

Choosing a polarizer

You will see that any NiSi product which includes a polarizer is available the Standard or Landscape Enhanced version. NiSi also added a Natural CPL to the circular range in 2020. Image from left to right: No filter, Natural CPL, Standard CPL, Landscape Enhanced CPL

So what's the difference?

Standard CPL - This filter has a subtle warm tone, which can be great for anything from landscapes to architecture.

Natural CPL - This filter has no colour tone and renders colours true to the original scene. It’s important to keep in mind that polarization changes certain colours slightly, so if you pixel peep you will come across some difference and that is all natural and nothing to worry about.

Landscape Enhanced CPL - This filter has a subtle cool tone and it is slightly stronger than most CPL’s on the market. It is designed with landscape photographers in mind and helps to cut through more glare, while adding extra contrast to skies and giving water bodies that fresh, cool feeling.

The landscape polarizer was first introduced to the V5 system, but due to its popularity it has spread to almost every product range offered by NiSi.

CHOOSING NISI

Solid Neutral Density Filters

Solid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.

They are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops.

3-Stop | 0.9 - This filter is used to add a slight blur to water before the sun has set or after it has risen. At f/16 and ISO100, it is impossible to achieve a slow enough shutterspeed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutterspeed of 1/10s to 1/2s during this golden sunlight phase, producing soft lines in the waves.

6-Stop | 1.8 - This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutterspeed at f/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise.

10-Stop | 3.0 - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f/11-16 and ISO100, it usually produces a shutterspeed of 20-30s in early morning or late afternoon with strong sunlight.

15-Stop | 4.5 - This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour.

CHOOSING NISI

Graduated Neutral Density Filters

Landscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half.

When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image it shows the result without any filter and on the right it shows the result with the filter. Graduated Filters have two variables - the graduation type and the density. Read below to find out more.

CHOOSING NISI

Graduation Type

This determines how the filter changes from transparent to dark. No two landscapes are the same and thus there are different grads for different situations.

These filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.

Hard Grad - These filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads.

Medium Grad – Medium grads are a newer product that most manufacturers only released in 2016/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.

Reverse Grad – These filters serve a very niche, but useful purpose. When shooting into a bright sunset/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon.

Focal Length Factor - A longer focal length softens the graduation as the image is captured through a smaller portion of the filter. If you shoot a lot of landscapes with your 24-70 or 70-200, then you'll need hard grads.

CHOOSING NISI

Graduation Density

All the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges.

The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular.

1. 0.3 (1-stop) is for experienced shooters, usually to be combined with a 0.6 or 0.9.

2. 0.6 (2-stop) is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.

3. 0.9 (3-stop) is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.

4. 1.2 (4-stop) is for shooting directly into a very bright sunset/sunrise.

CHOOSING NISI

Local ambassadors

See how local NiSi ambassadors Janik AlheitKyle GoetschBrendon Wainwright and Jon Kerrin are putting their filters to work. Photo by Ruan Bekker