NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit
NiSi Filters Swift FS ND Kit

NiSi Filters Swift FS ND Kit

Regular price R 3,699.00
/
Tax included.
4 in stock

Size

The NiSi Swift FS ND Kit is a game-changing solution for fixed density ND filters (not variable). This kit includes three full spectrum Neutral Density (ND) filters: ND8 (3 Stop), ND64 (6 Stop), and ND1000 (10 Stop), along with adaptors for multiple filter threads. The combination of the Swift system and FSND technology allows and encourages filters to be stacked, offering densities of 3,6,9,10,13,16 and 19 stops.

Swift - Stacking is quick and easy with NiSi's patented friction-based Swift system, while being lighter and more reliable than magnetic systems. Filters simply press on and pull off with a bit of force. 

FSND Colour Technology - NiSi have now proven themselves beyond a doubt as the leader of circular ND filter technology - these kits are no different and features their latest full spectrum technologies. Expect perfect colour even at extreme densities - no cast, no vignetting. 

Colour Coded Densities - Each density is a different colour, making it easy to know immediately which filter you're pulling out of the pouch or which density is where in the stack.

Cutting Edge Nano Coatings - These filters feature the latest hydrophobic coatings , which repel water and make filters easy to clean. They also feature a TI coating which makes them incredibly hard and resistant to micro scratches that write off a filter over time. 

Each kit also includes several step rings, making it much more economic to filter your lenses. 

  • 95mm Kit - 86, 82 rings included
  • 82mm Kit - 77, 72, 67 rings included
  • 62mm Kit - 58, 55, 52 rings included
  • 49mm Kit - 46, 43, 40.5 rings included

INCLUDED

  • ND8 (3-stop), ND64 (6-stop), ND1000 (10-stop)
  • Filter Pouch with 7 slots and tripod leg strap
  • Lens Cap for each filter and adapter ring

     

    How the NiSi Swift FSND System Works

    1. Screw on the Adaptor Ring - Each kit includes multiple adaptor rings to cover a range of filter thread sizes.
    2. Press on the filter to the adaptor ring - The filters attach easily with a simple press-on using a friction fit method. It's a solid connection and will not fall off like magnetic filters.
    3. Attach adaptor rings to multiple lenses - Easily switch an ND filter between lenses in a flash by leaving adaptor rings attached to lenses. We include lens caps to protect the lenses.

    40.5mm | 43mm | 46mm | 49mm Filter Threads

    for 52mm | 55mm | 58mm | 62mm Filter Threads

    for 67mm | 72mm | 77mm | 82mm Filter Threads

    for 86mm | 95mm Filter Thread

    Revolutionize Your Photography with NiSi SWIFT FS ND Filter Kit

    Discover the transformative power of the NiSi SWIFT FS ND Filter Kit, an essential tool for professional and amateur photographers alike. This kit includes three full spectrum Neutral Density (ND) filters: ND8 (3 Stop), ND64 (6 Stop), and ND1000 (10 Stop), along with versatile adaptors for 52mm, 55mm, 58mm, and 62mm filter threads. Experience enhanced depth of field and captivating motion in your images, perfect for stunning long exposures, seascapes, and landscapes. The NiSi SWIFT system redefines filter application with its user-friendly design. Easily press on the front of the adaptor rings for quick filter changes or stacking, saving precious time during shoots. Each filter is color-coded for effortless identification, allowing you to select the right filter in the blink of an eye. This system is ideal for photographers who value efficiency and precision in their work.

    Unleash Creative Control: A Trio of ND Filters

    ND8, ND64, ND1000: Discover the full potential of your photography with the NiSi SWIFT FS ND Filter Kit. This premium kit includes three different Neutral Density (ND) filters: ND8 (3 Stop), ND64 (6 Stop), and ND1000 (10 Stop), offering unparalleled control over exposure and depth of field. Perfect for capturing silky water, cloud movement, and reducing glare in bright conditions.

    Swift and Simple: Effortless Filter Changes

    Innovative Swift System: The Swift system redefines convenience in filter usage. Effortlessly press the filters onto the front of the adaptor rings for quick changes or stacking. This feature is ideal for photographers who need to adapt quickly to changing light conditions without missing a beat.

    Intuitive Design: Color-Coded for Convenience

    Unique Color Identification: Each FS ND Filter in the kit features a unique color coding, making it easy to identify the right filter for the right situation. This intuitive design saves time and ensures a smooth workflow, especially in fast-paced shooting environments.

    Advanced Technology: Multi-Ti Coating for Superior Quality

    NEW Multi-Ti Nano Coating: Experience the cutting-edge technology with the new Multi-Ti Coating. This nano-coating is not only waterproof but also anti-reflective, ensuring that your images are free from glare and reflections. The coating also maintains true color transmittance, preserving the natural beauty of your scenes.

    Versatility and Protection: Adaptors and Storage

    Adaptors for Multiple Lenses: The kit includes adaptors for 52mm, 55mm, 58mm, and 62mm filter threads, ensuring compatibility with a wide range of lenses. Additionally, 7 lens caps for each filter and adaptor rings are provided, allowing the adaptors to remain on lenses when stored in a camera bag. The included storage case with a tripod mounting strap adds to the convenience and protection of your filters.

    Vignetting Test in Photo Crop Mode

    Stacking multiple filters can introduce vignetting when shooting with wider focal lengths. It will vary from lens to lens and depend on the focal length and filter thread size. Please see the sample results below.

    Sony 16-35 f2.8 GM V1 – 82mm Thread
    1 x Swift Filter | no vignetting @ 17mm
    2 x Swift Filters | no vignetting @ 20mm
    3 x Swift Filters | no vignetting @ 22mm

    Sony PZ 16-35 F4 G – 72mm Thread
    1 x Swift Filter | no vignetting @ 16mm
    2 x Swift Filters | no vignetting @ 17mm
    3 x Swift Filters | no vignetting @ 19mm  

    FAQs

    What is the NiSi Swift FS ND System and how does it work?

    This kit includes three different Neutral Density (ND) filters: ND8 (3 Stop), ND64 (6 Stop), and ND1000 (10 Stop), offering unparalleled control over exposure and depth of field. Perfect for capturing silky water, cloud movement, and reducing glare in bright conditions. It's a circular filter kit that mounts fast with a press on design.

    How does the friction mount of the NiSi Swift System differ from magnets typically used in filter mounting systems?

    The friction mount of the NiSi Swift System is different from magnets used in filter mounting systems as it ensures that the filter is always connected and ready for anything. Magnets can easily become dislodged, especially when working in fast-paced or challenging environments. Using a friction mount, the NiSi Swift System avoids this potential pitfall, providing photographers with the confidence that their filters will stay securely in place no matter what.

    In which situations is the NiSi Swift System particularly valuable for photographers?

    The NiSi Swift System is particularly valuable for photographers and cinematographers who shoot in situations where time is of the essence or where they need to move quickly and efficiently from shot to shot.

    What is the benefit of the NiSi FS ND filters?

    Full spectrum filters, like the NiSi FS ND, offer a significant advantage as they maintain color fidelity across the entire visible spectrum, ensuring that your images are not only accurately exposed but also exhibit true-to-life colors without any color cast, making them superior for high-quality photography.

    What types of photography can benefit from using the NiSi Swift System and how can it improve the creative process?

    The NiSi Swift FS ND System can profoundly benefit various types of photography, enhancing the creative process in several ways:

    • Long Exposure Photography: By significantly reducing the amount of light entering the lens, these ND filters allow photographers to use longer shutter speeds without overexposure. This capability is perfect for capturing smooth water movements in seascapes or cloud motion in landscapes, adding an ethereal quality to the images.
    • Landscape Photography: The precise stops and true color transmittance of these filters ensure that landscapes are captured with natural colors and balanced exposures. This is especially beneficial for sunrise or sunset shots, where light conditions can be challenging.
    • Cityscape and Architectural Photography: In busy urban settings, using the NiSi Swift FS ND filters can help blur moving elements like cars and people, creating a sense of tranquility and focus on static architectural features.
    • Motion Blur Effects: For creative photography, these filters allow the blurring of movement, such as flowing water or swaying trees, adding a dynamic element to the compositions.
    • Time-lapse Photography: Consistent exposure control is crucial in time-lapse photography. The NiSi filters provide consistent density and color accuracy across shots, making them ideal for creating smooth, high-quality time-lapse sequences.

    By enhancing control over light and color, the NiSi Swift FS ND System not only expands the range of possible shooting conditions but also empowers photographers to explore creative effects that would otherwise be difficult to achieve.

    Do you have the item in stock? 

    Products are either in stock, out of stock (sold out) or special order. 

    • In stock: We have stock at our local warehouse. You can see how many we have in stock, add these products to your cart and check out. 
    • Sold out: We usually carry stock of this item but it has sold out. Please get in touch to get an ETA and reserve and incoming product. Or use the "Email me when available" button to get an email when new stock arrives. 
    • Special order: We don't carry local stock of this item. Get in touch to confirm stock availability and ETA to place an order. 

    Delivery options and what they cost

    We pride ourselves on lightning fast shipping, FREE on all orders over R1000. For orders under R1000 a courier fee of R120 will apply. Apart from large f-stop gear orders and large tripods, most of our items ship overnight and the daily cutoff is 13:00. You can read more on the deliveries page

    Can I collect my parcel? 

    Yes, you can collect your order from our warehouse in Saxenburg Park, Blackheath (08:00 - 14:00). Just choose the collection option at checkout- we'll follow up with the specifics. Please note that we are very strict about payment if collecting. We will not release any goods if we are not 100% comfortable about payment. We accept the following as payment confirmation in order to release the goods. 

    • Payfast Card Payment (any customers, new or returning)
    • EFT from FNB to FNB, pending fund clearance (any customers, new or returning)
    • Normal EFT from other banks to FNB (return customers only)
    • Instant EFT from other banks to FNB, pending fund clearance (Any customers, new or returning) 
    • Cash (any customers, new or returning)

    What payment options are available?  

    • EFT
    • EFT via Payfast
    • Credit card: VISA & Mastercard
    • Payflex
    • Float

    What is your policy on returns and or exchanges?

    We are more than happy to exchange any product for something else or a full refund* if you feel that the item you chose isn’t quite right for you. See our Return Policy page for more. 

    *If paying with any card, 4.5% of the transaction value goes to the credit card payment facilitation company. "Full Refund" means that we will return the full amount we received after the credit card service fees. If you are at all unsure that what you're buying is ideal for you, rather opt for EFT payment to be safe. 

    Where is my order? How can I track my order?

    You will receive an email with your tracking number once your order has been collected by our couriers. You can also find tracking number for your orders under "My account" 

    You can also shop NiSi Filters at the following retailers & dealers. 
    Orms Cape Town
    Shop 5 Roeland Square, Cnr Roeland and, Upper Canterbury St, Cape Town
    0214653573
    Orms Bellville
    Victorian Towers, 2 Palm St, Bellville, Cape Town
    Fritz, 0219101380
    FilmFlow (Cinema Specialist)
    Boskruin, Randburg
    Deon Truter, 0823148308
    Kameraz
    Rosebank Mall, 50 Bath Avenue, Rosebank, Johannesburg
    Martin Wright, 0118802885
    Photoquip
    28 Pearce St, Berea, East London
    043 726 2200
    Lime Photo
    Kloof, Durban
    Emil, 0844849959
     
    You can also shop Leofoto Tripods at the following retailers & dealers. 
    Orms Cape Town
    Shop 5 Roeland Square, Cnr Roeland and, Upper Canterbury St, Cape Town
    0214653573
    Orms Bellville
    Victorian Towers, 2 Palm St, Bellville, Cape Town
    Fritz, 021 910 1380
    Lime Photo
    Kloof, Durban
    Emil, 0844849959
    3% Tactical
    Durbanville
    Bernard Kotze - 0727156743
    Ivan Fourie - 0825290593
    Pretoria Arms
    1032 Silvergrass St, Montana, Pretoria, 0182
    Wayne Lesch – 0798834407

    Damien Bradshaw 
    Eastern Cape (Hunting Products Only)
    0835749134

    Approved Arms
    Pretoria
    Dirk Pio  – 0730556726
     

    We have a no-nonsense approach. If a product breaks due to a manufacturer defect, we will replace it without asking any questions. If we have any reason to believe that the product was put through unreasonably heavy usage, we will have to follow the manufacturer's standard warranty procedure. 

    Find more info on proper care and use for each brand below. 

    NiSi Care & Use

    F-stop Care & Use

    Leofoto

    The manufacturer offers a 10-year limited warranty on all products and we extend that warranty to our customers. Please read the below very carefully, so you understand your position when something breaks or doesn’t work ideally anymore.

    It is critical to understand that this warranty only applies to factory faults and not to standard wear and tear. Tripods are subject to a lot of gray areas in this regard as tripods used outdoors, particularly in sand and sea water, are subjected to extreme wear and tear. We will e.g. replace the affected part of your tripod if a carbon tube snaps or cracks without much pressure applied to it or if the apex breaks. We will not replace your tripod or the affected part if e.g. a joint locks up due to sand or salt build up or if a hinge becomes corroded or stiff/floppy and unserviceable due to corrosion or salt build up. 

In sum, if we see that you took good care of your tripod and something went wrong, we will go out of our way to fix or replace it for you. If we see that you dragged it through the mud (literally or metaphorically), then we are unlikely to fix/replace it for you. How you handle your tripod and take care of it, is all the difference between 3- or 20 years of service. 

The best of tripods will not last longer than 2/3 years if used regularly in the sea, INCORRECTLY, and never serviced. Always make sure to extend the lowest leg section first, so you keep the joints out of the water/sand. Always rinse with freshwater after use in the sea, wipe down with a wet cloth, leave extended to dry and ENSURE YOU KEEP THE HEAD AND APEX DRY. If your tripod’s joints start feeling sandy/gritty, open them up, give them a proper clean and lubrication and fine-tune the tension on the joints.

    If travelling on dirt roads, ensure that your tripod is in its carry-bag when not in use.

    Your tripod will not take care of itself – it is up to you to do so. All our tripods ship with an info-sheet on taking care of your tripod. We also offer a full tripod disassembly and service for R1000, including shipping both ways.

    NiSi Swift vs Square Systems

    Emil von Maltitz of Lime Photo does a comprehensive comparison of the two systems for photography. Not sure where to start? This is it!

    CHOOSING NISI

    Circular or Square?

    This is the first question to ask yourself when choosing a filter system to invest in. Each one has its pros and cons and while most now prefer the Swift circular system system for its economy, portability and modularity, the square system still hold a place for using graduated NDs.

    1. Economy - Circular filters win hands down when it comes to economy. An 82mm Swift Fixed ND (FSND) Kit with 3, 6 and 10-stop filters costs just R5 999 compared to R9 897 for its 100mm square counterpart. Circular filters don't require a filter holder, which will cost another R5 499.

    2. Portability - Circular filters also win hands down when it comes to size and portability. They are smaller, lighter and take up very little space compared to the equivalent square system.

    3. Versatility - While square filters used to dominate this area, NiSi's new state of the art Swift System has set a new standard with stacked circular filters which added or removed in seconds. This change saw a massive shift in square filter users shifting to circular filters, so when are square filters still superior?

    4. Graduated Filters - While circular grads do exist, they are flawed from the drawing board as the graduation can only be in the middle of the frame, which forces you to compose the horizon in the middle. A square system allows the graduation to be positioned at any height in the frame.

    If you shoot video, the Swift Variable ND System is the best fit for you.

    If you shoot photo, the Swift Fixed ND (FSND) System is the best fit for you..

    If grads form an essential part of your kit, go for a square system.

    CHOOSING NISI

    I choose square, but which system size?

    This is determined by the thread size of the primary lens you want to use the filters on. For landscape photography this is usually your wide angle lens.

    As NiSi's circular filters technology has become the new industry standard, many square filter systems are fading to the background. We now only stock the V7 System for 100mm. For any other system/size, get in touch.

    1. For thread sizes of 67mm and smaller, the 75mm system is ideal.

    2. For thread sizes of 62mm - 82mm, the 100mm system is ideal.

    3. If you have an ultra-wide lens with a bulbous front element and no thread, the 150mm system is your only choice.

    4. If you have the Canon 11-24mm, the 180mm system is your only choice.

    Custom filter holders/kits are available for the for Fujifilm X100 and Nikon Z 14-24mm.

    CHOOSING NISI

    Solid Neutral Density Filters

    Solid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.

    They are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops.

    3-Stop | 0.9 - This filter is used to add a slight blur to water before the sun has set or after it has risen. At f/16 and ISO100, it is impossible to achieve a slow enough shutterspeed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutterspeed of 1/10s to 1/2s during this golden sunlight phase, producing soft lines in the waves.

    6-Stop | 1.8 - This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutterspeed at f/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise.

    10-Stop | 3.0 - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f/11-16 and ISO100, it usually produces a shutterspeed of 20-30s in early morning or late afternoon with strong sunlight.

    15-Stop | 4.5 - This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour.

    CHOOSING NISI

    Graduated Neutral Density Filters

    Landscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half.

    When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image it shows the result without any filter and on the right it shows the result with the filter. Graduated Filters have two variables - the graduation type and the density. Read below to find out more.

    CHOOSING NISI

    Graduation Type

    This determines how the filter changes from transparent to dark. No two landscapes are the same and thus there are different grads for different situations.

    These filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.

    Hard Grad - These filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads.

    Medium Grad – Medium grads are a newer product that most manufacturers only released in 2016/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.

    Reverse Grad – These filters serve a very niche, but useful purpose. When shooting into a bright sunset/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon.

    Focal Length Factor - A longer focal length softens the graduation as the image is captured through a smaller portion of the filter. If you shoot a lot of landscapes with your 24-70 or 70-200, then you'll need hard grads.

    CHOOSING NISI

    Graduation Density

    All the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges.

    The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular.

    1. 0.3 (1-stop) is for experienced shooters, usually to be combined with a 0.6 or 0.9.

    2. 0.6 (2-stop) is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.

    3. 0.9 (3-stop) is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.

    4. 1.2 (4-stop) is for shooting directly into a very bright sunset/sunrise.

    CHOOSING NISI

    Local ambassadors

    See how local NiSi ambassador Kyle Goetsch is putting his filters to work. Photo by Kyle Goetsch taken with the NiSi 6-stop ND.

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