{"title":"NiSi Black Friday 2025","description":"","products":[{"product_id":"nisi-filters-v5-pro-adapter-step-rings","title":"NiSi Adapter Rings for 100mm V7\/V6\/V5 Holder","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003cstrong open=\"\" font-size:=\"\"\u003eThese step-up adapter rings are the critical connection between any lens and the V5\/V6\/V7 Pro 82mm primary adapter ring. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003ePlease note that any V5\/V6\/V7 Pro kits already includes 77mm, 72mm and 67mm step rings.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eThese step rings are specifically for \u003ca href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-100mm-v7-pro-aluminium-filter-holder-kit-with-true-colour-cpl?_pos=4\u0026amp;_sid=0d57b0fa6\u0026amp;_ss=r\" target=\"_blank\" title=\"NiSi Filters V7 Filter Holder Kit\" rel=\"noopener noreferrer\"\u003eNiSi's V5\/V6\/V7 system holders\u003c\/a\u003e and can not be used as general step rings as the thread has no stop \/ end and will keep turning. For general purpose step rings, please see \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/newest-products\/products\/nisi-filters-brass-step-up-rings\" target=\"_blank\" title=\"NiSi Filters Brass Step Rings\" rel=\"noopener noreferrer\"\u003eNiSi's Brass Step Rings\u003c\/a\u003e which allows the use of threaded filters on lenses with smaller filter threads.\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"49 - 82mm","offer_id":12340053770284,"sku":"NISI100MMAR49","price":499.0,"currency_code":"ZAR","in_stock":true},{"title":"52- 82mm","offer_id":12340053835820,"sku":"NISI100MMAR52","price":499.0,"currency_code":"ZAR","in_stock":true},{"title":"55- 82mm","offer_id":12340053934124,"sku":"NISI100MMAR55","price":499.0,"currency_code":"ZAR","in_stock":true},{"title":"58- 82mm","offer_id":12340053999660,"sku":"NISI100MMAR58","price":499.0,"currency_code":"ZAR","in_stock":false},{"title":"62- 82mm","offer_id":12340054065196,"sku":"NISI100MMAR62","price":499.0,"currency_code":"ZAR","in_stock":false},{"title":"67- 82mm","offer_id":12340054130732,"sku":"NISI100MMAR67","price":499.0,"currency_code":"ZAR","in_stock":true},{"title":"72- 82mm","offer_id":12340054196268,"sku":"NISI100MMAR72","price":499.0,"currency_code":"ZAR","in_stock":true},{"title":"77- 82mm","offer_id":12340054261804,"sku":"NISI100MMAR77","price":499.0,"currency_code":"ZAR","in_stock":true},{"title":"for Canon 17 -82","offer_id":41852294332599,"sku":"NISI100NNAR1782","price":499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-100mm-V5V6-Pro-Adapter-Step-Rings-58mm.jpg?v=1643199949"},{"product_id":"nisi-filters-v5-pro-82mm-primary-adapter-ring","title":"NiSi 100mm V5 Pro 82mm Primary Adapter Ring","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe NiSi 82mm adaptor for NiSi 100mm V5\/V5 Pro\/C4 permits the use of 82mm filter thread lenses to be used with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/nisifilters.com.au\/product\/nisi-100mm-aluminium-filter-holder-kit-v5\/\"\u003eNiSi 100mm V5, \u003c\/a\u003eV5 Pro or C4 Holders. It allows you to turn the CPL included in the V5\/C4 Kit.  It features a lightweight, aluminium-alloy construction that has a corrosion-resistant, black anodized finish for durability.\u003c\/p\u003e\n\u003cp\u003ePlease note this is included with the NiSi V5\/V5 Pro\/C4 Holder Kit and is sold as a spare part.\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12340449378348,"sku":"NISIV582PAR","price":1299.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-100mm-V5-Pro-82mm-Primary-Adapter-Ring.jpg?v=1643199956"},{"product_id":"nisi-filters-v5-pro-86mm-cpl-standard","title":"NiSi 100mm V5\/V6 Pro 86mm  Circular Polariser Standard","description":"\u003cp\u003eThis is the standard polariser for the V5 pro system. \u003cbr\u003e\u003cbr\u003eThis polarizer is not compatible with normal 86mm threads.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease note that this is a spare part for the V5 Pro system. \u003c\/strong\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12340449542188,"sku":"NISIV5\/V6CPL","price":1199.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-100mm-V5-Pro-86mm-CPL-Standard.jpg?v=1643199958"},{"product_id":"nisi-filters-v5-pro-86mm-landscape-nc-cpl","title":"NiSi 100mm V5\/V6 Pro 86mm Landscape NC Circular Polariser","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the Landscape Enhanced polarizer for the V5\/V6 pro system. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis polarizer is not compatible with normal 86mm threads.\u003c\/span\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12340449640492,"sku":"NISIV5\/V6NCCPL","price":1799.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-100mm-V5-Pro-86mm-Landscape-NC-CPL.jpg?v=1643199959"},{"product_id":"nisi-filters-100mm-irnd-4-5","title":"NiSi 100mm Nano IR ND 4.5 | 15-Stop | ND32000","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical pro glass, it allows for optimal light transmission to produce sharp and contrast-rich images with true-to-life colour. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Stop | 4.5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cem\u003e*This filter is also available in 2,4,5,7,8,9 and11 stops. Please get in touch via the contact page if you would like to order one of these densities.\u003c\/em\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12340450263084,"sku":"NISI100IRND15","price":3899.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmNanoIRND4.5_15-Stop_ND32000.jpg?v=1661862134"},{"product_id":"nisi-filters-100mm-irnd-2-0","title":"NiSi 100mm Nano IR ND 6.0 | 20-Stop | ND1000k","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical pro glass, it allows the optimal light transmission to produce sharp and contrast-rich images with true-to-life colour. \n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cem\u003e*This filter is also available in 2,4,5,7,8,9 and 11 stops. Please get in touch via the contact page if you would like to order one of these densities.\u003c\/em\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12340450361388,"sku":"NISI100IRND20","price":3899.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmNanoIRND2.0_20-Stop_ND1000k.jpg?v=1661862136"},{"product_id":"nisi-filters-100mm-0-6-hard-grad","title":"NiSi 100mm Hard Graduated Nano IR ND Filter","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNiSi is the only company that offers its standard graduated neutral density filters in glass instead of resin. Made from H-K9L optical glass, these filters transmit light much better than resin, producing true-to-life colour and optimal contrast and sharpness. \u003c\/strong\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image, it shows the result without any filter and on the right, it shows the result with the filter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cwidgetic-embed id=\"5e62140eecb2a1656a8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"2-stop","offer_id":12341654880300,"sku":"NISI100HG2","price":3899.0,"currency_code":"ZAR","in_stock":true},{"title":"3-stop","offer_id":14467663757356,"sku":"NISI100HG3","price":3899.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmHardGraduatedNanoIRNDFilter.jpg?v=1661858568"},{"product_id":"nisi-filters-100mm-natural-night","title":"NiSi 100mm Natural Night Filter","description":"\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003eThe NiSi natural night filter removes unwanted light pollution in night photos by cutting out very specific wavelengths of light produced by artificial light sources. \u003c\/strong\u003eIt removes all yellow light produced by sodium-vapour lamps, mercury-vapour lamps and low-CRI LED's. This ensures that night-time images are colour-accurate, sharp and rich in contrast. This unique new filter is an indispensable tool for any serious cityscape shooter. \u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003eThis filter drastically improves detail and contrast around bright light sources.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/5_NiSiJetMagProMAXMAGNatural-Night_b892b399-b59d-4e47-8969-e4a247e23f61.jpg?v=1768372295\"\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003eThis filter is also available in a circular screw-in version. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003ePlease note that the Natural Night filter is not compatible with the Lee holders - it slides out as there is not enough friction between the filter and the holder. You can solve the problem by applying some insulation tape to the edge of the filter, should you want to use it with your Lee holder. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/lpqVeUL9yZ8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12341655142444,"sku":"NISI100NN","price":4299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmNaturalNightFilter.jpg?v=1661858532"},{"product_id":"nisi-filters-150mm-s5-filter-holder-landscape-cpl","title":"NiSi Filters 150mm S5 Filter Holder Kit with Circular Polariser","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eWelcome to the next generation of filter holders – The NISI S5 system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eUntil now, using filters on ultra-wide lenses has suffered from a severe limitation – the inability to rotate a circular polarizer independently of the graduated filters. While all the other manufacturers complained about the challenges of designing a holder to solve this problem, NISI Filters actually did it.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eThe NISI S5 filter holder is the world’s first 150mm holder that allows a circular polarizer to be rotated independently of the graduated ND filters. This offers creative freedom to optimally utilise virtually any combination of filters you desire on your favourite ultra-wide lens like the Nikon 14-24mm, Sony 12-24mm and Tamron 15-30mm.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003ca href=\"https:\/\/www.youtube.com\/playlist?list=PLarkXpzpEnZGt_5TRG4pNHnQKCkHjcJ-J\" target=\"_blank\" title=\"NISI S5 Youtube Videos\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eCheck out the NISI Youtube Channel for a library of reviews and operation videos about the S5 system. \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_oz1VScTOUE\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eThe NISI S5 system consists of 3 elements –\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSingle Lens-specific Adapter ring that clamps directly onto the lens\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCircular Polariser with a large thread for easy mounting\u003c\/li\u003e\n\u003cli\u003e150mm Filter Holder with two slots (interchangeable on different S5 adapters)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eNeed to adapt your S5 holder to other thread sizes?\u003c\/strong\u003e There are 77mm\/82mm adapters for most of the S5 holders as well as a special 105mm\/95mm\/86mm version of the S5. Please see the \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/NiSi-150mm?page=1\"\u003e150mm product category\u003c\/a\u003e or feel free to get in touch on the contact page if you have any questions. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eIt also includes a dedicated storage pouch for all three components.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOne of the major advantages of the filter holder and adapter ring being split is that dark ND filters can be instantly removed on the holder in order to focus and compose.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eAs with the 100mm V5 Pro system, the Adapter ring features two gears that allow rotation of the circular polarizer while any square filters are mounted. \u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Sigma 14-24 F2.8 (for Sony E-mount) \/ Standard CPL","offer_id":29847033577516,"sku":"NISI150S5HLD1424","price":4999.0,"currency_code":"ZAR","in_stock":true},{"title":"Sigma 14-24 F2.8 (for Sony E-mount) \/ Landscape Enhanced CPL","offer_id":41151871418551,"sku":"NISI150S5HLD1424NC","price":7999.0,"currency_code":"ZAR","in_stock":true},{"title":"Nikon 14-24mm f\/2.8 DEMO (Condition 10\/10) \/ Standard CPL","offer_id":12341655175212,"sku":"NISI150S5HLD1424","price":7999.0,"currency_code":"ZAR","in_stock":true},{"title":"Nikon 14-24mm f\/2.8 DEMO (Condition 10\/10) \/ Landscape Enhanced CPL","offer_id":41151871254711,"sku":"NISI150S5HLD1424NC","price":7999.0,"currency_code":"ZAR","in_stock":true},{"title":"Canon 17mm TS-E f\/4 \/ Standard CPL","offer_id":29407741968428,"sku":"NISI150S5HLD17","price":7999.0,"currency_code":"ZAR","in_stock":true},{"title":"Canon 17mm TS-E f\/4 \/ Landscape Enhanced CPL","offer_id":41151871287479,"sku":"NISI150S5HLD17NC","price":7999.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-150mm-S5-Filter-Holder-Kit-with-Landscape-NC-CPL-Nikon-14-24mm-f28.jpg?v=1643200085"},{"product_id":"nisi-filters-150mm-s5-screw-adapter-nikon-tamron","title":"NiSi Filters 150mm Screw Adapters for S5 Nikon 14-24mm and Tamron 15-30mm","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThese adapter rings allow you to use the NiSi 150mm Filter Holder \u003c\/span\u003e\u003cstrong\u003efor the Nikon 14-24mm\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e and Tamron 15-30mm\u003c\/strong\u003e  on lenses with a 77mm and 82mm thread.\u003c\/span\u003e","brand":"NiSi","offers":[{"title":"77mm","offer_id":12342342844460,"sku":"NISI150S5SA142477","price":699.0,"currency_code":"ZAR","in_stock":false},{"title":"82mm","offer_id":12342342877228,"sku":"NISI150S5SA142482","price":699.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-150mm-Screw-Adapters-for-S5-Nikon-14-24mm-and-Tamron-15-30mm.jpg?v=1643200100"},{"product_id":"nisi-filters-150mm-s5-screw-adapter-sigma-14mm","title":"NiSi Filters 150mm Screw Adapters for S5 Sigma 14mm f\/1.8","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThese adapter rings allow you to use the NiSi 150mm Filter Holder \u003c\/span\u003e\u003cstrong\u003efor the Sigma 14mm f\/1.8\u003c\/strong\u003e\u003cspan\u003e lens on lenses with a 77mm and 82mm thread.\u003c\/span\u003e","brand":"NiSi","offers":[{"title":"77mm","offer_id":12342342975532,"sku":"NISI150S5SA142477","price":699.0,"currency_code":"ZAR","in_stock":true},{"title":"82mm","offer_id":12342343008300,"sku":"NISI150S5SA142482","price":699.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-150mm-Screw-Adapters-for-S5-Sigma-14mm-f18.jpg?v=1643200102"},{"product_id":"nisi-filters-150mm-q-filter-holder-screw-adapters","title":"NiSi Filters 150mm Screw Adapters for Q Holder for Nikon 14-24mm and Tamron 15-30mm","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Nisi Filter Adapter Ring is designed for use with the \u003c\/span\u003e\u003ca href=\"https:\/\/lkwp86alg3yjmnoq-27011120.shopifypreview.com\/products\/nisi-filters-150mm-q-filter-holder?variant=12342342221868\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNisi 150mm Q filter holder for Nikon 14-24mm\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003ca href=\"https:\/\/lkwp86alg3yjmnoq-27011120.shopifypreview.com\/products\/nisi-filters-150mm-q-filter-holder?variant=12342342254636\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eTamron 15-30mm\u003c\/a\u003e on lenses which have 77mm\/82mm filter thread.\u003c\/span\u003e","brand":"NiSi","offers":[{"title":"77mm","offer_id":12342343893036,"sku":"NISI150QSA142477","price":699.0,"currency_code":"ZAR","in_stock":true},{"title":"82mm","offer_id":12342343925804,"sku":"NISI150QSA142482","price":699.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-150mm-Screw-Adapters-for-Q-Holder-for-Nikon-14-24mm-and-Tamron-15-30mm.jpg?v=1643200104"},{"product_id":"nisi-filters-150mm-s5-multiple-model-adapters","title":"NiSi Filters 150mm Multiple Model Adapter for S5","description":"If you have two ultra-wide lenses that require different S5 holders, this adapter makes it much more economical to use the system on both lenses. You can simply purchase the the adapter for your 2nd lens instead of having to get the entire system with the CPL and holder for your 2nd lens.","brand":"NiSi","offers":[{"title":"Standard Filter Threads (105mm, 95mm \u0026 82mm)","offer_id":29417711632428,"sku":"NISI150S5MMA-STD","price":2499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-150mm-Multiple-Model-Adapter-for-S5-Nikon-14-24mm-f28.jpg?v=1643200105"},{"product_id":"nisi-filters-150mm-irnd-1-8","title":"NiSi 150mm Nano IR ND 1.8 | 6-Stop | ND64","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical proglass, it allows optimal light transmission to produce sharp and contrast rich images with true-to-life colour. \u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutterspeed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutterspeed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutterspeed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutterspeed of 20-30s in early morning or late afternoon with strong sunlight. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Stop | 4.5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003cwidgetic-embed id=\"5e620b3fecb2a1c3668b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12342345596972,"sku":"NISI150IRND6","price":4299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmNanoIRND1.8_6-Stop_ND64_238165c4-f01c-44ee-9f15-ca4048db8630.jpg?v=1680517375"},{"product_id":"nisi-filters-150mm-0-6-soft-grad","title":"NiSi 150mm Soft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eNiSi is the only company that offers their standard graduated neutral density filters in glass instead of resin. Made from H-K9L optical proglass, these filters transmit light much better than resin, producing true-to-life colour and optimal contrast and sharpness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e6211c6ecb2a1d3698b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"3-stop","offer_id":14467861545004,"sku":"NISI150SG3","price":4299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmSoftGraduatedNanoIRNDFilter.jpg?v=1680517203"},{"product_id":"nisi-filters-150mm-0-6-hard-grad","title":"NiSi 150mm Hard Graduated Nano IR ND Filter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eNiSi is the only company that offers their standard graduated neutral density filters in glass instead of resin. Made from H-K9L optical proglass, these filters transmit light much better than resin, producing true-to-life colour and optimal contrast and sharpness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e62140eecb2a1656a8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"2-stop","offer_id":12342346809388,"sku":"NISI150HG2","price":4299.0,"currency_code":"ZAR","in_stock":true},{"title":"3-stop","offer_id":14467841720364,"sku":"NISI150HG3","price":4299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmHardGraduatedNanoIRNDFilter.jpg?v=1680517303"},{"product_id":"nisi-filters-150mm-0-6-medium-grad","title":"NiSi 150mm Medium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eNiSi is the only company that offers their standard graduated neutral density filters in glass instead of resin. Made from H-K9L optical proglass, these filters transmit light much better than resin, producing true-to-life colour and optimal contrast and sharpness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cwidgetic-embed id=\"5e6212b1ecb2a10e6a8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"3-stop","offer_id":12342346907692,"sku":"NISI150MG3","price":3499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmMediumGraduatedNanoIRNDFilter.jpg?v=1680517241"},{"product_id":"nisi-filters-150mm-1-2-reverse-grad","title":"NiSi 150mm Reverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eNiSi is the only company that offers their standard graduated neutral density filters in glass instead of resin. Made from H-K9L optical proglass, these filters transmit light much better than resin, producing true-to-life colour and optimal contrast and sharpness. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. \u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities, because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but a 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e6215caecb2a1076c8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"3-stop","offer_id":12342347104300,"sku":"NISI150RG3","price":4299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmReverseGraduatedNanoIRNDFilter_a80d26ac-feb9-4864-a2dd-a94148e80abe.jpg?v=1680517329"},{"product_id":"nisi-filters-accessories-filter-lens-cloth-bundle-x10","title":"NiSi Lens and Filter Cloth Pack of 10","description":"\u003cp\u003eThe Lens and Filter Cloth Pack includes 10 premium cleaning cloths which can be used to keep your lenses and filters clean. \u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12360762130476,"sku":"NISICLOTHSX10","price":499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-Lens-and-Filter-Cloth-Pack-of-10.jpg?v=1643200150"},{"product_id":"nisi-filters-accessories-filter-lens-blower","title":"NiSi Lens Blower","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\"\u003eThe NiSi Professional Lens Cleaning Blower is one of the best cleaning accessories you can toss into your gear bag. It works very well for removing dust specs off lenses, sensors and SLR mirrors without touching the surfaces. It fits neatly in your hand and delivers a very strong blast of air as it cleans. When the cleaning cycle is completed, the ruggedly constructed rubber bulb refills rapidly and is ready for another blast. The unit is resistant to gross temperature swings making it a viable tool in all kinds of climates. This Air Blower can gently remove dust and smudges off sensitive camera parts without physical contact. Perfect for cleaning SLR camera, video, digital camera lens, binocular lens, telescope lens, camera filters, musical instruments, computers, keyboards, watches, and other precision equipments.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComfortable hand feeling\u003c\/li\u003e\n\u003cli\u003eFast airflow intake, sufficient air pressure, blow out strong to clean the dust\u003c\/li\u003e\n\u003cli\u003eNew design, no degumming, no fading, long service life\u003c\/li\u003e\n\u003cli\u003eAdopts environmental and safe medical rubber, no hazardous substance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rkHpzqjT1L8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":12360762196012,"sku":"NISIBLOWER","price":299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-Lens-Blower.jpg?v=1643200151"},{"product_id":"nisi-filters-circular-huc-uv","title":"NiSi Filters PRO Nano HUC UV Filter","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThe HUC UV filter was our go-to premium brass UV option, but has since been replaced by the NiSi \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/UV-\u0026amp;-Protector\" style=\"color: rgb(255, 42, 0);\" rel=\"noopener\" target=\"_blank\"\u003eFilters Armor Fx Brass UV Filter.\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNiSi is coming out of an intense period of R\u0026amp;D, which has seen them rise to the top of the filter market thanks to their True Colour and other technologies. \u003cmeta charset=\"utf-8\"\u003eThe latest UV offering is the \u003ca href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-uhc-uv\" target=\"_blank\"\u003eUltra Hard Coating (UHC) UV\u003c\/a\u003e which features all the latest and greatest optics and coatings in an aluminium frame at an excellent price. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhile the aluminium frame of the\u003cspan\u003e \u003c\/span\u003eUltra Hard Coating (UHC) UV offers a benefits in both weight and pricing, we still stock a minimal amount of the\u003cspan\u003e \u003c\/span\u003eHUC UV\u003cspan\u003e \u003c\/span\u003efor those who insist on brass.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eBrass doesn't jam easily as it's a very malleable material and is more resistant to temperature changes. This means it won't get stuck as easily in extreme temperatures. The only drawback is the weight, brass is 3.5x times the density of aluminium, which means the HUC UV is heavier and a bit pricier.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAbout UV Filters\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUV filters eliminate the ultraviolet light, which we cannot see, but affects our images. One of the first issues to take note of is that the light we as humans see and that is critical to our images' colour capture is around 400-750nm. Anything below is considered UV and anything higher is considered IR.\u003c\/p\u003e\n\u003cp\u003eMost camera's sensors can potentially see a massive spectrum, ranging from 200nm to 900nm, which contains a lot of light that is detrimental to the colour integrity of any photo. For this reason, most cameras have an IR and UV filter that limit the range from around 250nm to 780nm. What remains between this range and the visible range can affect colour, but it is very seldom noticeable in images. It used to be a much bigger problem in the film days when UV filters were considered a must-have accessory. One can't absolutely make the argument that UV filters serve no optical purpose in the digital age, as there are situations in which they do help as they cut out the range between the built-in filter and the visible spectrum; 280-395nm.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTheir real purpose lies in something much simpler - as a protective element for the lenses that cost us so much money. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn the film days, this was a secondary benefit to the filters, but with the advent of digital sensors and built-in UV filters, their secondary property has become their primary purpose. NiSi offers three different UV filters, the primary difference being the material that the ring is made of.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll NiSI circular filters ship with a hard plastic storage case. If you are purchasing multiple circular filters, the\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"js-no-transition\" href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/products\/nisi-circular-filter-caddy-for-8-filters\" target=\"_blank\" data-mce-href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/products\/nisi-circular-filter-caddy-for-8-filters\"\u003ecircular caddy pouch\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis a great addition for quick, safe and easy transport, storage and access. \u003c\/p\u003e","brand":"NiSi","offers":[{"title":"37mm","offer_id":13102430060588,"sku":"NISIBRASSUV37","price":539.0,"currency_code":"ZAR","in_stock":false},{"title":"39mm","offer_id":13102493925420,"sku":"NISIBRASSUV39","price":539.0,"currency_code":"ZAR","in_stock":false},{"title":"40mm","offer_id":13102488911916,"sku":"NISIBRASSUV40","price":539.0,"currency_code":"ZAR","in_stock":false},{"title":"40.5mm","offer_id":30262300409900,"sku":"NISIBRASSUV40.5","price":539.0,"currency_code":"ZAR","in_stock":false},{"title":"58mm","offer_id":12752385736748,"sku":"NISIBRASSUV58","price":1149.0,"currency_code":"ZAR","in_stock":false},{"title":"62mm","offer_id":12752385769516,"sku":"NISIBRASSUV62","price":1249.0,"currency_code":"ZAR","in_stock":false},{"title":"72mm","offer_id":12752385835052,"sku":"NISIBRASSUV72","price":1449.0,"currency_code":"ZAR","in_stock":false},{"title":"77mm","offer_id":12752385867820,"sku":"NISIBRASSUV77","price":1599.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSiFiltersPRONanoHUCUV_9.jpg?v=1683903342"},{"product_id":"nisi-filters-circular-huc-protector","title":"NiSi Filters PRO Nano HUC Protector 105mm","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNiSi's range of Protector filters is going through a major overhaul and simplification, read the below to avoid confusion. \u003cmeta charset=\"utf-8\"\u003e(January 2023) \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBefore 2023 NiSi offered 4 different UV filters targeting 3 different price classes. As is usually the problem with Homo Sapiens, too many options is not always a good thing, despite the good intentions. In January 2023, NiSi released the UHC UV, which packs all of their latest optical tech into an ultra-thin knurled aluminium frame. This filter is cheaper than 3\/4 of the previous offerings, but offers superior optics to all 4 ranges. The goal is to replace all 4 the previous ranges with this one. The only compromise is the aluminium ring, which is why we will still stock a minimal amount of the HUC UV for those who insist on brass.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUV Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUV filters eliminate the ultraviolet light, which we cannot see, but affects our images. One of the first issues to take note of is that the light we as humans see and that is critical to our images' colour capture is around 400-750nm. Anything below is considered UV and anything higher is considered IR.\u003c\/p\u003e\n\u003cp\u003eMost camera's sensors can potentially see a massive spectrum, ranging from 200nm to 900nm, which contains a lot of light that is detrimental to the colour integrity of any photo. For this reason, most cameras have an IR and UV filter that limit the range from around 250nm to 780nm. What remains between this range and the visible range can affect colour, but it is very seldom noticeable in images. It used to be a much bigger problem in the film days when UV filters were considered a must-have accessory. One can't absolutely make the argument that UV filters serve no optical purpose in the digital age, as there are situations in which they do help as they cut out the range between the built-in filter and the visible spectrum; 280-395nm.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTheir real purpose lies in something much simpler - as a protective element for the lenses that cost us so much money. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn the film days, this was a secondary benefit to the filters, but with the advent of digital sensors and built-in UV filters, their secondary property has become their primary purpose. NiSi offers three different UV filters, the primary difference being the material that the ring is made of.\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/products\/nisi-filters-uhc-uv\" target=\"_blank\" data-mce-href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/products\/nisi-filters-uhc-uv\"\u003eUHC UV\u003c\/a\u003e \u003c\/strong\u003e(released 2023) - All the latest and greatest optics and coatings in an aluminium frame at an excellent price. (77mm = R899)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-circular-l395-smc-uv?_pos=5\u0026amp;_sid=efc5af343\u0026amp;_ss=r\" data-mce-href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-circular-l395-smc-uv?_pos=5\u0026amp;_sid=efc5af343\u0026amp;_ss=r\"\u003eSMC UV\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e (LAST STOCK)\u003c\/span\u003e(77mm = R699.00)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-circular-huc-protector?_pos=4\u0026amp;_sid=efc5af343\u0026amp;_ss=r\" data-mce-href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-circular-huc-protector?_pos=4\u0026amp;_sid=efc5af343\u0026amp;_ss=r\"\u003ePro Nano HUC Protector Filter\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e (LAST STOCK)\u003c\/span\u003e(77mm = R1 049)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-circular-huc-uv?_pos=6\u0026amp;_sid=efc5af343\u0026amp;_ss=r\" data-mce-href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-circular-huc-uv?_pos=6\u0026amp;_sid=efc5af343\u0026amp;_ss=r\"\u003ePRO Nano HUC UV\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e (will hold minimal stock going forward)\u003c\/span\u003e(77mm = R1 399) – This filter series filters feature a brass ring, which doesn't jam easily as it's a very malleable material. It is also more resistant to temperature changes, meaning it won't get stuck as easily in extreme temperatures. The downside is that brass is very heavy (3.5x times the density of aluminium).\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAll NiSI circular filters ship with a hard plastic storage case. If you are purchasing multiple circular filters, the circular caddy pouch is a great addition for quick, safe and easy transport, storage and access. \u003c\/p\u003e","brand":"NiSi","offers":[{"title":"105mm","offer_id":12793177014316,"sku":"NISIPROT105","price":3199.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-PRO-Nano-HUC-Protector.jpg?v=1643200171"},{"product_id":"nisi-filters-circular-huc-irnd8","title":"NiSi PRO Nano IR ND8 | 3-Stop | 0.9","description":"\u003cp align=\"left\" open=\"\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical pro glass, it allows for optimal light transmission to produce sharp and contrast-rich images with true-to-life colour. \u003c\/p\u003e\n\u003cp align=\"left\" open=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Stop | 4.5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\" open=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp align=\"left\" open=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"40.5mm","offer_id":43275035902135,"sku":"NISI3IRND40.5","price":699.0,"currency_code":"ZAR","in_stock":true},{"title":"46mm","offer_id":12752388161580,"sku":"NISI3IRND46","price":849.0,"currency_code":"ZAR","in_stock":true},{"title":"49mm","offer_id":12752388227116,"sku":"NISI3IRND49","price":849.0,"currency_code":"ZAR","in_stock":true},{"title":"52mm","offer_id":12752388292652,"sku":"NISI3IRND52","price":999.0,"currency_code":"ZAR","in_stock":false},{"title":"55mm","offer_id":12752388325420,"sku":"NISI3IRND55","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"58mm","offer_id":12752388358188,"sku":"NISI3IRND58","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"62mm","offer_id":12752388390956,"sku":"NISI3IRND62","price":1099.0,"currency_code":"ZAR","in_stock":false},{"title":"67mm","offer_id":12752388423724,"sku":"NISI3IRND67","price":1099.0,"currency_code":"ZAR","in_stock":false},{"title":"72mm","offer_id":12752388456492,"sku":"NISI3IRND72","price":1149.0,"currency_code":"ZAR","in_stock":true},{"title":"77mm","offer_id":12752388489260,"sku":"NISI3IRND77","price":1199.0,"currency_code":"ZAR","in_stock":true},{"title":"82mm","offer_id":12752388522028,"sku":"NISI3IRND82","price":1299.0,"currency_code":"ZAR","in_stock":true},{"title":"95mm","offer_id":12752388554796,"sku":"NISI3IRND95","price":1999.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-PRO-Nano-IR-ND8-3-Stop-09.jpg?v=1643200173"},{"product_id":"nisi-filters-circular-huc-irnd1000","title":"NiSi PRO Nano IR ND1000 | 10-Stop | 3.0","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical pro glass, it allows for optimal light transmission to produce sharp and contrast-rich images with true-to-life colour. \u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Stop | 4.5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"39mm","offer_id":13102265532460,"sku":"NISI10IRND39","price":649.0,"currency_code":"ZAR","in_stock":false},{"title":"40.5mm","offer_id":43275049664695,"sku":"NISI10IRND40.5","price":699.0,"currency_code":"ZAR","in_stock":true},{"title":"46mm","offer_id":12752389537836,"sku":"NISI10IRND46","price":899.0,"currency_code":"ZAR","in_stock":true},{"title":"49mm","offer_id":12752389570604,"sku":"NISI10IRND49","price":899.0,"currency_code":"ZAR","in_stock":true},{"title":"52mm","offer_id":12752389603372,"sku":"NISI10IRND52","price":999.0,"currency_code":"ZAR","in_stock":false},{"title":"55mm","offer_id":12752389636140,"sku":"NISI10IRND55","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"58mm","offer_id":12752389668908,"sku":"NISI10IRND58","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"62mm","offer_id":12752389701676,"sku":"NISI10IRND62","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"67mm","offer_id":12752389734444,"sku":"NISI10IRND67","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"72mm","offer_id":12752389767212,"sku":"NISI10IRND72","price":1149.0,"currency_code":"ZAR","in_stock":true},{"title":"77mm","offer_id":12752389799980,"sku":"NISI10IRND77","price":1199.0,"currency_code":"ZAR","in_stock":true},{"title":"82mm","offer_id":12752389832748,"sku":"NISI10IRND82","price":1299.0,"currency_code":"ZAR","in_stock":true},{"title":"86mm","offer_id":41067782996151,"sku":"NISI10IRND86","price":1699.0,"currency_code":"ZAR","in_stock":false},{"title":"95mm","offer_id":12752389865516,"sku":"NISI10IRND95","price":1999.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-PRO-Nano-IR-ND1000-10-Stop-30.jpg?v=1643200179"},{"product_id":"nisi-filters-circular-natural-night","title":"NiSi Natural Night Filter","description":"\u003cp align=\"left\"\u003e\u003cstrong\u003eThe NiSi natural night filter removes unwanted light pollution in night photos by cutting out very specific wavelengths of light produced by artificial light sources\u003c\/strong\u003e.\u003cstrong\u003e \u003c\/strong\u003eIt removes all yellow light produced by sodium-vapor lamps, mercury-vapor lamps and low-CRI LED's. This ensures that night-time images are colour-accurate, sharp and rich in contrast.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eThis unique new filter is an indespensible tool for any serious cityscape shooter. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/5_NiSiJetMagProMAXMAGNatural-Night_b892b399-b59d-4e47-8969-e4a247e23f61.jpg?v=1768372295\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/lpqVeUL9yZ8\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"46mm","offer_id":12752391012396,"sku":"NISINIGHT46","price":2199.0,"currency_code":"ZAR","in_stock":true},{"title":"49mm","offer_id":12752391045164,"sku":"NISINIGHT49","price":2199.0,"currency_code":"ZAR","in_stock":false},{"title":"52mm","offer_id":12752391077932,"sku":"NISINIGHT52","price":2299.0,"currency_code":"ZAR","in_stock":true},{"title":"55mm","offer_id":12752391110700,"sku":"NISINIGHT55","price":2299.0,"currency_code":"ZAR","in_stock":true},{"title":"58mm","offer_id":12752391143468,"sku":"NISINIGHT58","price":2299.0,"currency_code":"ZAR","in_stock":true},{"title":"62mm","offer_id":12752391176236,"sku":"NISINIGHT62","price":2599.0,"currency_code":"ZAR","in_stock":true},{"title":"67mm","offer_id":12752391209004,"sku":"NISINIGHT67","price":2799.0,"currency_code":"ZAR","in_stock":false},{"title":"72mm","offer_id":12752391274540,"sku":"NISINIGHT72","price":2999.0,"currency_code":"ZAR","in_stock":true},{"title":"77mm","offer_id":12752391307308,"sku":"NISINIGHT77","price":3399.0,"currency_code":"ZAR","in_stock":false},{"title":"82mm","offer_id":12752391340076,"sku":"NISINIGHT82","price":3499.0,"currency_code":"ZAR","in_stock":true},{"title":"95mm","offer_id":12752391372844,"sku":"NISINIGHT95","price":3499.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-Natural-Night.jpg?v=1643200185"},{"product_id":"nisi-filters-circular-huc-irnd32000","title":"NiSi PRO Nano IR ND32000 | 15-Stop | 4.5","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical pro glass, it allows for optimal light transmission to produce sharp and contrast-rich images with true-to-life colour. \u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Stop | 4.5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\n\u003cwidgetic-embed id=\"5e620fd7ecb2a1d9688b456b\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"67mm","offer_id":12799468011564,"sku":"NISI15IRND67","price":1799.0,"currency_code":"ZAR","in_stock":true},{"title":"72mm","offer_id":12799468044332,"sku":"NISI15IRND72","price":1899.0,"currency_code":"ZAR","in_stock":true},{"title":"77mm","offer_id":12799468077100,"sku":"NISI15IRND77","price":1999.0,"currency_code":"ZAR","in_stock":true},{"title":"82mm","offer_id":12799468109868,"sku":"NISI15IRND82","price":2299.0,"currency_code":"ZAR","in_stock":false},{"title":"95mm","offer_id":12799468142636,"sku":"NISI15IRND95","price":3299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-PRO-Nano-IR-ND32000-15-Stop-45.jpg?v=1643200227"},{"product_id":"nisi-close-up-lens-kit-nc-77mm-with-67-and-72mm-adaptors","title":"NiSi Close Up Lens Kit NC 77mm (with 67 and 72mm adaptors)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNiSi's new close up lens kit is a fun, compact and affordable introduction to the world of macro photography. It greatly reduces the minimum focusing distance of telephoto lenses (70-300mm range) to offer a magnification that is close to 1:1 (depending on the lens used). \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImage Quality\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eTraditionally, close-up lenses heavily degraded image quality, but NiSi have used all of their latest and greatest technology to ensure that image quality remains excellent. It incorporates double optical corrective glasses with apochromatic design and a multi-nano coating, to give you uncompromised resolution and a natural colour with almost no purple\/green fringing both within focus and in bokeh.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe lens sits in a 77mm screw-in casing that attaches to the filter thread of the lens. Included are 72mm and 67mm step rings, allowing use on most telephoto lenses.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMagnification\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe magnification achieved depends on the focal range of lenses – it will be higher with longer focal lengths. The magnification is close to 1:1 at 200mm.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptimal Use\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe working distance using this close-up lens will be roughly 22-35cm and sharpness peaks around f\/8-f\/11. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/close-up-lens-kit-nc-77mm-image_orig-1_480x480.jpg?v=1645971766\"\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/melaniec.co.za\/contact-melanie-cornelius-cape-town-photographer\/\" title=\"Melanie C review of NiSi Close Up Lens Kit\" target=\"_blank\"\u003eMelanie C\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.naturettl.com\/nisi-close-up-lens-kit-review\/\" target=\"_blank\"\u003eRoss Hoddinott \u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.joniniemela.com\/blog\/review-of-nisi-close-up-lens\/\" target=\"_blank\"\u003eJoni Niemela\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/en.nisioptics.com\/reviews\/nisi-up-close-add-on-review.html\" target=\"_blank\"\u003eAaron Molenkamp\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded in the box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClose up lens 77mm\u003c\/li\u003e\n\u003cli\u003e67mm and 72mm adaptor rings\u003c\/li\u003e\n\u003cli\u003eProtective case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":29422603042860,"sku":"NISICLSUP77","price":2999.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Close-Up-Lens-Kit-NC-77mm-with-67-and-72mm-adaptors.jpg?v=1643200580"},{"product_id":"nisi-filters-150mm-caddy-all-in-one-case","title":"NiSi 150mm Caddy All-in-one Case","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eNiSi Caddy All-in-one Case for 150mm system\u003c\/h2\u003e\n\u003cp\u003eThe “Caddy” case for 7 150mm filters (4 GND and 3 ND) and 150mm Holder (NiSi S5 or Classic Q series) is the perfect accessory to keep your 150mm filters  at hand when you are out shooting. The material is water resistant and allows you to keep the filters dry (even the zips are equipped with water resistant seals.) Includes shoulder strap and velcro strap to attach the case to the tripod.\u003c\/p\u003e\n\u003cp\u003eThe design is reinforced in critical areas, in order to offer impact protection and protect the filters, inside the compartments are coated with anti-scratch material. The top zip pocket allows you to carry small items, such as an SD card or a cleaning cloth (included).\u003c\/p\u003e\n\u003cp\u003eThe bag is compatible with 150×150 filters (such as ND, square polariser and Natural Night), GND 150×170 and circulars for NiSi S5 (such as the Landscape Polariser for NiSi S5). The bag holds:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds up to 7 filters (4 GND and 3 ND)\u003c\/li\u003e\n\u003cli\u003eAlso holds a NiSi S5 Holder or a Classic 150mm Holder\u003c\/li\u003e\n\u003cli\u003eThe Holder S5 can be stored with the Lens Cap S5\u003c\/li\u003e\n\u003cli\u003eWater resistant material\u003c\/li\u003e\n\u003cli\u003eZips with water resistant seals\u003c\/li\u003e\n\u003cli\u003eEasy to secure to tripod\u003c\/li\u003e\n\u003cli\u003eIncludes a cleaning cloth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lZKrh5FaML4?si=xeQ2HNAFEIoMkVSC\" height=\"650\" width=\"100%\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":29428365918252,"sku":"NISI150CADDY","price":1799.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSiFilters150mmCaddyAll-in-oneCase_1.webp?v=1706886569"},{"product_id":"nisi-100mm-explorer-soft-graduated-3-stop","title":"NiSi 100mm Explorer Soft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eSoft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image, it shows the result without any filter and on the right, it shows the result with the filter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e6211c6ecb2a1d3698b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":30265442140204,"sku":"NISI100EXPSG3","price":3299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmExplorerSoftGraduatedNanoIRNDFilter0.9_3-Stop_ND8.jpg?v=1661858622"},{"product_id":"nisi-100mm-explorer-medium-graduated-3-stop","title":"NiSi 100mm Explorer Medium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eSoft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image, it shows the result without any filter and on the right, it shows the result with the filter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cwidgetic-embed id=\"5e6212b1ecb2a10e6a8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":30265447284780,"sku":"NISI100EXPND3MED","price":3299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmExplorerMediumGraduatedNanoIRNDFilter0.9_3-Stop_ND8.jpg?v=1661858642"},{"product_id":"nisi-100mm-explorer-hard-graduated-3-stop","title":"NiSi 100mm Explorer Reverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eSoft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image, it shows the result without any filter and on the right, it shows the result with the filter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e6215caecb2a1076c8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":30265452494892,"sku":"NISI100EXPRG3","price":3299.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmExplorerReverseGraduatedNanoIRNDFilter0.9_3-Stop_ND8.jpg?v=1661858625"},{"product_id":"nisi-100mm-explorer-ir-nd-3-stop","title":"NiSi 100mm Explorer Nano IR ND 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eSoft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003cwidgetic-embed id=\"5e6207feecb2a182658b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":30265455378476,"sku":"NISI100EXPND3","price":3299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmExplorerNanoIRND0.9_3-Stop_ND8.jpg?v=1661858639"},{"product_id":"nisi-100mm-explorer-ir-nd-6-stop","title":"NiSi 100mm Explorer Nano IR ND 1.8 | 6-Stop | ND64","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eSoft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003cwidgetic-embed id=\"5e620b3fecb2a1c3668b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":30265458524204,"sku":"NISI100EXPND6","price":3299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmExplorerNanoIRND1.8_6-Stop_ND64.jpg?v=1661862128"},{"product_id":"nisi-100mm-explorer-ir-nd-10-stop","title":"NiSi 100mm Explorer Nano IR ND 3.0 | 10-Stop | ND1000","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eSoft Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003cwidgetic-embed id=\"5e620e41ecb2a15d688b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":30265461243948,"sku":"NISI100EXPND10","price":3299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters100mmExplorerNanoIRND3.0_10-Stop_ND1000.jpg?v=1661862131"},{"product_id":"nisi-filters-pro-nano-ir-nd64-6-stop-1-8","title":"NiSi PRO Nano IR ND64 | 6-Stop | 1.8","description":"\u003cdiv class=\"product-single__description-full rte\" itemprop=\"description\"\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003eNiSi is renowned as one of the world's top manufacturers of completely colour-neutral and vignette-free ND filters. Made from H-K9L optical pro glass, it allows for optimal light transmission to produce sharp and contrast-rich images with true-to-life colour. \u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Stop | 4.5\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter is serious long exposure territory and will produce exposures times of 1-4 minutes in peak daylight and 5-30 minutes during golden hour. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eIR Blocking\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp align=\"left\" open=\"\" font-size:=\"\"\u003e\u003cstrong\u003eNano Coating\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"collapsibles-wrapper collapsibles-wrapper--border-bottom\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"NiSi","offers":[{"title":"40.5mm","offer_id":30265493749804,"sku":"NISI6IRND40.5","price":699.0,"currency_code":"ZAR","in_stock":true},{"title":"46mm","offer_id":43275041898679,"sku":"NISI6IRND46","price":849.0,"currency_code":"ZAR","in_stock":false},{"title":"49mm","offer_id":30265493782572,"sku":"NISI6IRND49","price":849.0,"currency_code":"ZAR","in_stock":false},{"title":"52mm","offer_id":30265493815340,"sku":"NISI6IRND52","price":999.0,"currency_code":"ZAR","in_stock":false},{"title":"55mm","offer_id":30265493848108,"sku":"NISI6IRND55","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"58mm","offer_id":30265493880876,"sku":"NISI6IRND58","price":1099.0,"currency_code":"ZAR","in_stock":true},{"title":"62mm","offer_id":30265493913644,"sku":"NISI6IRND62","price":1099.0,"currency_code":"ZAR","in_stock":false},{"title":"67mm","offer_id":30265493946412,"sku":"NISI6IRND67","price":1099.0,"currency_code":"ZAR","in_stock":false},{"title":"72mm","offer_id":30265493979180,"sku":"NISI6IRND72","price":1149.0,"currency_code":"ZAR","in_stock":true},{"title":"77mm","offer_id":30265494011948,"sku":"NISI6IRND77","price":1199.0,"currency_code":"ZAR","in_stock":false},{"title":"82mm","offer_id":30265494044716,"sku":"NISI6IRND82","price":1299.0,"currency_code":"ZAR","in_stock":true},{"title":"95mm","offer_id":30265494077484,"sku":"NISI6IRND95","price":1999.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-PRO-Nano-IR-ND64-6-Stop-18.jpg?v=1643200655"},{"product_id":"nisi-v6-protection-lens-cap","title":"NiSi 100mm V6 Protection Lens Cap","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi V6 Protection Lens Cap is designed to attach to a NiSi V6 100mm holder’s 82mm adapter ring when the kit’s filter holder is removed. This lens cap can protect the built-in polariser while the adapter ring remains on a lens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e*Please note this lens cap is ONLY compatible with the V6 100mm System.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31195833925730,"sku":"NISIV6CAP","price":100.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-100mm-V6-Protection-Lens-Cap.jpg?v=1643200660"},{"product_id":"nisi-filters-pro-nano-variable-nd-x5-9-stops","title":"NiSi Filters PRO Nano Variable ND x5 - 9 Stops","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eThis filter has been discontinued – these are the very last sizes. \u003cmeta charset=\"UTF-8\"\u003eIt has been replaced by the new \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisi-swift-variable-nd-system\" target=\"_blank\"\u003eSwift system\u003c\/a\u003e which is much faster to use and features better optics. \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eThe \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisi-swift-variable-nd-system\/products\/nisi-filters-swift-vnd-kit\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSwift VND kit\u003c\/a\u003e has the standard 1-5 True Colour VND and the 4-Stop FSND which connects to the front to give you 5-9. If you already have the 1-5 True Colour VND, you can \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisi-swift-variable-nd-system\/products\/nisi-filters-nd164-stops-for-swift-system\" target=\"_blank\"\u003epurchase the 4-stop separately\u003c\/a\u003e. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5PVBYJxKrQA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile somewhat useful to stills photographers, variable ND filters are an indispensable tool for filmmakers. This filter allows quick and easy manipulation of the exposure in order to achieve the desired aperture and shutter speed when there is too much light. \u003cbr\u003e\u003cbr\u003eVariable ND filters are made by mounting two polarisers facing each other and when turned, they progressively cut out more and more light. This can achieve an exposure reduction ranging from 1 – 10 stops, so why is this filter limited to a 5-9 stops range? The problem with the double-polariser approach is that beyond a certain range, the darkening becomes very uneven across the frame, resulting in what is known as the x-effect. This is why most commercial film productions still make use of conventional ND filter sets. \u003cbr\u003e\u003cbr\u003eA Variable ND filter does however still have a great place in the world if used within the limits of the x-effect, which is why NiSi have limited their offering to a 1.5 - 5 stop version and 5 - 9 stop version. The 5-9 stop is a 1.5 - 5 stop combined with an ND16 film, which achieves the darker densities without allowing any x-effect. Compared to a conventional cinema ND filter set and matte box with filter trays, this filter costs about 5% of the price. It also offers instant manipulation of the exposure reduction by simply turning the filter and thanks to its compact size it is much more friendly to DSLR and mirrorless filmmakers.\u003c\/p\u003e\n\u003cp\u003eThis filter features NiSi's renowned scratch-resistant and hydrophobic nano-coating, which ensures that it lasts and makes it quick and easy to clean. It also features a pin on the side that makes it easy to rotate from behind the camera. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIs there any X-effect at 9 stops? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you set out to look for it, you will encounter a hint of the X-effect at 9 stops... if you use an ultra-wide lens and you shoot against a clean background. Our staff have used this filter for countless video productions and we have been selling it for a year, without noticing the X-effect in any of our videos or receiving one complaint about it from a customer. So while you might find it if you really look for it, it simply doesn't show up in practical use. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs the pin on the side removable? \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThis pin acts as an easy handle for turning the filter quickly, but not everyone likes it. The good news is that it is simply screwed in and secured with threadlock. You’ll struggle to get it out with your fingers, but a soft turn with pliers gets it out. If you want to reattach it, just dip the thread in threadlock and screw it back in. (Threadlock is available at any hardware store for about R20-50. Usually a tiny blue bottle)\u003c\/strong\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5PVBYJxKrQA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"NiSi","offers":[{"title":"46mm","offer_id":31365518164066,"sku":"NISIVND5-946","price":1000.0,"currency_code":"ZAR","in_stock":true},{"title":"49mm","offer_id":31365518196834,"sku":"NISIVND5-949","price":1000.0,"currency_code":"ZAR","in_stock":true},{"title":"62mm","offer_id":31365518327906,"sku":"NISIVND5-962","price":1100.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-PRO-Nano-Variable-ND-x5-9-Stops.jpg?v=1643200720"},{"product_id":"nisi-close-up-lens-kit-nc-58mm-with-49-and-52mm-adaptors","title":"NiSi Close Up Lens Kit NC 58mm (with 49 and 52mm adaptors)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDue to the popularity of the original 77mm Close Up Lens, NiSi has unveiled the smaller and more affordable 58mm version for use on lenses with threads of 58mm and smaller. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNiSi's new close up lens kit is a fun, compact and affordable introduction to the world of macro photography. It greatly reduces the minimum focusing distance of telephoto lenses (\u003c\/span\u003e\u003cstrong\u003e35 to 250mm \/ full frame equivalent)\u003c\/strong\u003e to offer a magnification that is close to 1:1 (depending on the lens used).  \u003cbr\u003e\u003cstrong\u003eImage Quality\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eTraditionally, close-up lenses heavily degraded image quality, but NiSi have used all of their latest and greatest technology to ensure that image quality remains excellent. It incorporates double optical corrective glasses with apochromatic design and a multi-nano coating, to give you uncompromised resolution and a natural colour with almost no purple\/green fringing both within focus and in bokeh.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe lens sits in a 58mm screw-in casing that attaches to the filter thread of the lens. Included are 49mm and 52mm step rings, allowing use on most telephoto lenses.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMagnification\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe magnification achieved depends on the focal range of lenses – it will be higher with longer focal lengths. The magnification is close to 1:1 at 200mm.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOptimal Use\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe working distance using this close-up lens will be roughly 9-22cm and sharpness peaks around f\/8-f\/11. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eLens stacking\u003c\/strong\u003e\u003cbr\u003eTwo close-up lenses could be stack together to get a much bigger magnification. Stacking two of these lenses will not result in any image quality loss. Autofocusing will still be functional even after stacking of these lenses.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/close-up-58mm-4.jpg?v=1594122313\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded in the box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClose up lens 58mm\u003c\/li\u003e\n\u003cli\u003e52mm and 49mm adaptor rings\u003c\/li\u003e\n\u003cli\u003eProtective case\u003c\/li\u003e\n\u003cli\u003eLens cap\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5f084bceecb2a131168b4569\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\"\u003e\u003c\/widgetic-embed\u003e \u003cwidgetic-embed id=\"5f084dfaecb2a1c1178b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\"\u003e\u003c\/widgetic-embed\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31801720176738,"sku":"NISICLSUP58","price":1799.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Close-Up-Lens-Kit-NC-58mm-with-49-and-52mm-adaptors.jpg?v=1643201671"},{"product_id":"nisi-filters-150mm-explorer-medium-graduated-nano-ir-nd-filter-0-9-3-stop-nd8","title":"NiSi 150mm Explorer Medium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-single__description-full rte\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.6 | 2-Stop | ND4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"js-no-transition\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image, it shows the result without any filter and on the right, it shows the result with the filter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e6212b1ecb2a10e6a8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\n\u003cdiv class=\"wdgtc-wrap\"\u003e\n\u003cdiv class=\"wdgtc-holder\"\u003e\u003ciframe class=\"widgetic-composition\" name=\"16549be0-6fd5-c679-9b12-45c5bde5ec92\" allowfullscreen=\"true\" scrolling=\"no\" src=\"https:\/\/widgetic.com\/api\/v2\/compositions\/5e6212b1ecb2a10e6a8b4567\/embed.html?autoscale=true\u0026amp;adaptive=414\u0026amp;lo=https%3A%2F%2Flandscapegear.co.za\u0026amp;demo=true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/widgetic-embed\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"collapsibles-wrapper collapsibles-wrapper--border-bottom\"\u003e\u003c\/div\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31804381462626,"sku":"NISI150MG3","price":3499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmExplorerMediumGraduatedNanoIRNDFilter0.9_3-Stop_ND8.jpg?v=1680517075"},{"product_id":"nisi-filters-150mm-explorer-reverse-graduated-nano-ir-nd-filter-0-6-2-stop-nd4","title":"NiSi 150mm Explorer Reverse Graduated Nano IR ND Filter 0.6 | 2-Stop | ND4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-single__description-full rte\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cspan\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe following filters are available in the 150mm Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli\u003eReverse Graduated Nano IR ND Filter 0.6 | 2-Stop | ND4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\" rel=\"noopener noreferrer\" class=\"js-no-transition\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eLandscape photographers use graduated neutral density filters because the sky is usually brighter than the land – especially in dramatic sunset light. Graduated ND filters are dark on the top half and transparent on the bottom half. When the dark part is positioned over the sky of an image, it ‘reduces’ the amount of light allowed through that part of the frame and this results in a darkened exposure of the sky. On the left side of the image, it shows the result without any filter and on the right, it shows the result with the filter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eGraduated ND filters are available in soft, medium and hard and this determines the distance of the transition between the dark part and the transparent part. The softer the graduation, the more even the transition between the darkened area and the normal area. There are also reverse and horizon grads, which are a slight alteration. Read below to find out more or browse the product images to see classic examples of ideal situations for each grad type. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft Grad –\u003c\/strong\u003eThese filters are typically for scenes with a very dynamic horizon, like landscapes with trees or high mountains. Soft grads are the most forgiving and easiest for beginners to use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Grad - \u003c\/strong\u003eThese filters are typically for scenes with a straight and uniform horizon, like the sea. If a hard grad is not positioned perfectly, it will be clearly noticeable in the image as a dark line below the horizon or a bright line above it. We advise that beginners stick to soft and medium grads. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium Grad –\u003c\/strong\u003e Medium grads are a newer product that most manufacturers only released in 2016\/2017. Many photographers often found hard grads too hard and soft grads too soft and thus it was obvious that something in between was necessary. It is also the perfect solution for photographers that don’t want to commit to a hard or soft grad. Not everyone can afford to buy the full range of these filters and the medium grads are an excellent new compromise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverse Grad – \u003c\/strong\u003eThese filters serve a very niche, but useful purpose. When shooting into a bright sunset\/sunrise, the brightest area is right on the horizon and then the sky darkens towards the top. When using a normal graduated ND, it will result in a correctly exposed horizon, but the top part of the sky will be far too dark. A Reverse Grad also has a clear lower half, but it is darkest in the middle and then gets lighter towards the top. This allows one to more accurately balance those exposures that are brightest on the horizon. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"left\"\u003eAll the different types of grads are available in different densities because light is dynamic and different scenes require a different amount of ‘darkening’ of the sky. We stock a variety of 0.3, 0.6, 0.9 and 1.2 (0.3 = 1 stop) in NiSi's various size ranges. The most popular densities are 0.6 and 0.9, but 1.2 is becoming increasingly popular. \u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003eIf you’re unsure about which density is right for you, read below or check out product image #2.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.3 (1-stop)\u003c\/strong\u003e is for experienced shooters, usually to be combined with a 0.6 or 0.9.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0.6 (2-stop)\u003c\/strong\u003e is the most popular filter as a 2-stop difference between land and sky is most common. If you shoot a sunset\/sunrise the 0.6 will be the all-rounder that best balances exposure between land and sky in most directions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e 0.9 (3-stop)\u003c\/strong\u003e is the ideal if you like shooting into the sunset as the 0.6 isn’t always dark enough for into-the-sun shots. The issue with the 0.9 is that it will be too dark if shooting 90-degrees from the sun or with the sun at your back.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 (4-stop) \u003c\/strong\u003eis for shooting directly into a very bright sunset\/sunrise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cwidgetic-embed id=\"5e6215caecb2a1076c8b4567\" resize=\"fill-width\" width=\"510\" height=\"583\" autoscale=\"on\" adaptive=\"414\"\u003e\n\u003cdiv class=\"wdgtc-wrap\"\u003e\n\u003cdiv class=\"wdgtc-holder\"\u003e\u003ciframe class=\"widgetic-composition\" name=\"244683ee-0924-e2b4-612c-7c988cd405c9\" allowfullscreen=\"true\" scrolling=\"no\" src=\"https:\/\/widgetic.com\/api\/v2\/compositions\/5e6215caecb2a1076c8b4567\/embed.html?autoscale=true\u0026amp;adaptive=414\u0026amp;lo=https%3A%2F%2Flandscapegear.co.za\u0026amp;demo=true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/widgetic-embed\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"collapsibles-wrapper collapsibles-wrapper--border-bottom\"\u003e\u003c\/div\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31804403122274,"sku":"NISI150RG2","price":3499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmExplorerReverseGraduatedNanoIRNDFilter0.6_2-Stop_ND4.jpg?v=1680517097"},{"product_id":"nisi-nm-200s-quick-adjustment-macro-focusing-rail","title":"NiSi NM-200S Quick Adjustment Macro Focusing Rail","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"title-heading-center fusion-responsive-typography-calculated\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThe NM-180 has been replaced by the new NM-200S\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e quick adjustment macro focusing rail. The major upgrade to the previous iteration is the implementation of a much more reliable push button on the side of the clamp instead of a lever that completely eliminates any backlash and makes precise adjustments much more effective.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe NiSi Macro Focusing Rail NM-180 with 360 Degree Rotating Clamp gives you the ability to precisely adjust the position of your camera when shooting macro photography. The rail is equipped with an integrated Arca-type compatible quick release clamp and also includes an Arca-type plate.  The focusing rail itself has a double-dovetail mount and will fit most Arca-type clamps on the market.  The mounting clamp allows 360-degree rotation to change the camera direction without having to remove the plate from the clamp. The adjustment range is 160mm while the clamp size is 180mm, maximizing the movement of the camera. The movement is adjusted by a collapsable thumb-screw knob which makes it easy to adjust and store.  Included is a longer quick-release plate designed for telephoto lenses and with a groove for straps and is easy to lock and release.\u003c\/p\u003e\n\u003cp\u003eThe Macro Rail can be mounted in most Arca-type clamps\/ball heads on the market and also includes four detachable foot nails that allow the use of the rail directly on the tabletop.  The stage travel per revolution is 1.25mm with engraved index marks on both sides of the rail for fine adjustments.  The bottom for the rail includes 3\/8” and ¼” screw hole which allows the use of all tripod heads. The maximum load of the rail is 5kg.\u003c\/p\u003e\n\u003cp\u003eThe NiSi Macro Focusing Rail NM-180 with 360 Degree Rotating Clamp is constructed with high-quality CNC machined aluminium and is hard anodized with a corrosion-resistant finish. These features make it scuff and scratch-resistant.\u003c\/p\u003e\n\u003cp\u003eThe two focusing rails can be stacked for dual-axis adjustments.\u003c\/p\u003e\n\u003cp\u003eThe NiSi Macro Focusing Rail NM-180 with 360 Degree Rotating Clamp is the perfect companion for the\u003cspan\u003e \u003c\/span\u003eNiSi Close Up Lenses. \u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uwbBHZy1Sd8?si=2UC5KrqWQYIO1q4S\" height=\"650\" width=\"100%\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSiMacroRailNM-200s_5a51e953-a872-4c8e-bd9c-c102d7451c04.jpg?v=1695111268\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSiMacroRailNM-200s2_40cc330d-0009-4830-84c8-3d7cd0192daf.jpg?v=1695111246\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSiMacroRailNM-200s3_56d52477-c16c-47b8-9327-2afe70a6cd9a.jpg?v=1695111253\"\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31804483141730,"sku":"NISIMACRORL","price":4599.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSiNM200SQuickAdjustmentMacroFocusingRail_1.jpg?v=1695111372"},{"product_id":"nisi-filters-allure-streak-blue","title":"NiSi Allure Streak Filter Blue \u0026 Orange","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe NiSi Cinema Rotating 82mm Allure Streak BLUE (2mm) is a special effects filter designed to render a single light ray from a point light source. This filter features a single series of etched lines spaced 2mm apart from each other, which run across the filter surface. The filter creates the effect of elongated blue streaks horizontally from the light source usually seen when using an Anamorphic type of lens. The 82mm filter has a rotating front (similar to how a CPL rotates) and when the filter is rotated, the orientation of the light ray can be adjusted to suit your composition or desired effect. The filter is constructed from clear optical-grade glass H-K9L for maintained image clarity and an aluminum frame.\u003c\/p\u003e\n\u003cp\u003eWe recommend focal lengths of 35mm and longer with our streak range to ensure a straight steak from the light source free from lens deformation.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eEtched lines spaced 2mm apart produce a horizontal single ray of light from point light sources, strong highlights, reflective materials, or metallic surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe filter can be rotated to adjust the orientation of the light streak.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOptical glass construction maintains the original image quality and does not affect the overall color or contrast\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/sCu7kbtchio\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/IN-FOpCUlUc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"NiSi","offers":[{"title":"Blue \/ 67mm","offer_id":41898750017719,"sku":"NISIBLSTRK67","price":1049.0,"currency_code":"ZAR","in_stock":true},{"title":"Blue \/ 72mm","offer_id":41898750050487,"sku":"NISIBLSTRK72","price":1109.0,"currency_code":"ZAR","in_stock":true},{"title":"Blue \/ 77mm","offer_id":41898750083255,"sku":"NISIBLSTRK77","price":1259.0,"currency_code":"ZAR","in_stock":false},{"title":"Blue \/ 82mm","offer_id":41558760784055,"sku":"NISIBLSTRK82","price":2299.0,"currency_code":"ZAR","in_stock":false},{"title":"Orange \/ 67mm","offer_id":41898750116023,"sku":"NISIORSTRK67","price":1049.0,"currency_code":"ZAR","in_stock":true},{"title":"Orange \/ 72mm","offer_id":41898750148791,"sku":"NISIORSTRK72","price":1109.0,"currency_code":"ZAR","in_stock":true},{"title":"Orange \/ 77mm","offer_id":41898750181559,"sku":"NISIORSTRK77","price":1259.0,"currency_code":"ZAR","in_stock":true},{"title":"Orange \/ 82mm","offer_id":41558760816823,"sku":"NISIORSTRK82","price":2299.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Cine-Filters-Rotating-82mm-Allure-Streak-BLUE-2mm-Streak_1800x1800_6692a2b2-55ff-48b0-a0e5-148ec2e6966c.jpg?v=1670485217"},{"product_id":"nisi-filters-pro-nano-natural-cpl","title":"NiSi Filters Pro Nano Natural CPL","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eLooking for a size that isn't here? Check out the new \u003ca href=\"https:\/\/landscapegear.co.za\/products\/nisi-filters-pro-nano-true-color-cpl\" style=\"color: #ff2a00;\" target=\"_blank\"\u003ePro Nano True Color CPL\u003c\/a\u003e. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFor more information on what a circular polariser is and how to use it, read \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/if-someone-told-me-that-i-could-only-use-a-single-filter-for-the-rest-of-my-life\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ethis article\u003c\/a\u003e by Hougaard Malan.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs of October 2020, NiSi offers three different CPLs, each with a key difference. The primary difference lies in the colour tone and choosing should be fairly easy. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNatural \/ True Color CPL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– This filter has\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eno colour tone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand renders colours true to the original scene. It’s important to keep in mind that polarization changes certain colours slightly, so if you pixel peep you will come across some difference and that is all natural and nothing to worry about.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape Enhanced CPL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– This filter has a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esubtle cool tone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand it is slightly stronger than most CPL’s on the market. It is designed with landscape photographers in mind and helps to cut through more glare, while adding extra contrast to skies and giving water bodies that fresh, cool feeling. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard CPL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– This filter has a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esubtle warm tone\u003c\/strong\u003e, which can be great for anything from landscapes to architecture. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt all comes down to personal taste and deciding whether you want a cool or warm tone or to keep all colour enhancement to the computer. Find more info and side by side comparisons in \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/which-nisi-circular-polariser-is-right-for-you\" target=\"_blank\"\u003ethis article\u003c\/a\u003e comparing the versions by Matt Bouch. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhen it comes to enhancing images, a circular polarizer is probably the oldest trick in the book. It can change a pale sky to a deep blue one, turn foliage into a luminous super-green, light up autumn colours, saturate rainbows and even make water look crystal clear. The added contrast, saturation and clarity that a polarizer can give to images is nothing short of magic and every photographer should have one in their bag.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003eContrary to its name, a polarising filter does not polarise light; it filters out polarised light. Light from the sun is polarised when it bounces off any non-metallic reflective surface like water, foliage or various air particulates. Polarised light robs images of colour, clarity and contrast and is in many situations undesirable. A polarizing filter removes this 'damaged' light and ensures that only unpolarised light reaches the camera sensor to produce a sharp, saturated and contrast-rich image.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" font-size:=\"\"\u003e\u003cstrong\u003eFor this reason, a polarizing filter is a very popular tool for any photographer, but especially for landscape photographers. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat is the difference between a linear and circular polariser? Digital cameras' AF systems are not compatible with linear polarizers. When the world was transitioning from film to digital, linear vs. circular was a big debate, but it no longer is. For photographic purposes, you can assume that any polariser on the market nowadays is circular and not linear. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore about NiSi's Natural CPL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NiSi Natural CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create.  Our Natural CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The Natural CPL features a unique two-tone frame with a silver front ring, black back ring and both are made from high-quality aluminum.  NiSi’s Natural CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.\u003c\/p\u003e\n\u003cp\u003eA Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.  The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze.  A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light.  This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.\u003c\/p\u003e\n\u003cp\u003eOur proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust and water stains. The slimline frame of the NiSi Natural CPL is durable and tough and allows a lens cap to be attached for convenience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSi-Natural-CPL-Comparison.jpg?v=1598957250\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/-RJEe6nN-tk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"NiSi","offers":[{"title":"46mm","offer_id":31913249079394,"sku":"NISINATCPL46","price":494.0,"currency_code":"ZAR","in_stock":false},{"title":"52mm","offer_id":42197258404023,"sku":"NISINATCPL52","price":649.0,"currency_code":"ZAR","in_stock":false},{"title":"55mm","offer_id":31913249177698,"sku":"NISINATCPL55","price":724.0,"currency_code":"ZAR","in_stock":false},{"title":"58mm","offer_id":42197258436791,"sku":"NISINATCPL58","price":749.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-Pro-Nano-Natural-CPL.jpg?v=1643201765"},{"product_id":"nisi-112mm-circular-filters-for-nikon-z-14-24mm","title":"NiSi 112mm Circular Filters for Nikon Z 14-24mm","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe NiSi 112mm Circular Filters for Nikon Z 14-24mm has been designed to work with the custom NiSi Lens Hood for Nikon Z 14-24mm F\/2.8 S with 112mm Filter Thread. \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #ff2a00;\"\u003eThe Nikon HB-97 allows light to enter from behind the lens and is not suitable for long exposures, so NiSi has designed a lens hood with NO light leak for better performance with ND filters and long exposures. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach of the NiSi 112mm filters have an ultra-slim frame to ensure no vignetting, are made from the highest quality optical glass for optimal image quality, maximum light transmission and even light distribution.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAvailable for the Nikon Z 14-24mm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"text_exposed_show\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eNiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread\u003c\/li\u003e\n\u003cli\u003eNiSi 112mm NC UV\u003c\/li\u003e\n\u003cli\u003eNiSi 112mm True Color CPL\u003c\/li\u003e\n\u003cli\u003eNiSI 112mm 3 Stop ND (ND8)\u003c\/li\u003e\n\u003cli\u003eNiSI 112mm 6 Stop ND (ND64)\u003c\/li\u003e\n\u003cli\u003eNiSI 112mm 10 Stop ND (ND1000)\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eNiSi 112mm Natural Night\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cstrong\u003eNiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThe NiSi Lens Hood for Nikon Z 14-24mm f2.8S with 112mm Filter Thread is a redesigned lens hood for the Nikon Z 14-24mm f2.8S to replace the HB-97 included with the lens. \u003cstrong\u003eThe Nikon HB-97 allows light to enter from behind the lens and is not suitable for long exposures, so NiSi has designed a lens hood with NO light leak for better performance with ND filters and long exposures.\u003c\/strong\u003e The NiSi Lens hood features the same flower-shaped design with the dimensions matching the Nikon HB-97 lens hood and includes a 112mm filter thread compatible with \u003cspan class=\"s1\"\u003eNiSi’s 112mm circular filters for Nikon 14-24mm\u003c\/span\u003e. The hood features a locking screw that will keep the hood attached to the lens to add safety and security.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note this lens hood is ALSO compatible with the Z 24-70mm f\/2.8 S and Z 70-200mm f\/2.8 VR S.  It allows the use of 112mm filters across all three lenses.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eNiSi 112mm Circular NC UV Filter for Nikon Z 14-24mm\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eNiSi’s ultra-thin UV filter adopts a double-sided, multi-coating lens technology that employs high-quality ultraviolet absorption optical glass.  It assures high transmittance and a highly smooth surface that avoids unnecessary reflection. The frame is constructed from Brass using highly accurate brass milling. The NiSi 112mm Circular NC UV Filter has an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. The filter cut the UV light below 365nm and features 9 layers of Nano coating on each side of the filter. The transmittance of the UV filter is extremely high at 99.3%.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eThe UV filter is also useful as a general protective filter to leave on lenses at all times.\u003c\/strong\u003e Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eNiSi 112mm Circular True Color Pro Nano CPL Filter for Nikon Z 14-24mm\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eThe NiSi True Color CPL is designed to reduce glare and reflections from non-metallic surfaces, increase saturation and vibrancy in the sky and foliage while ensuring true color reproduction is at its best by eliminating the warming effect that many polarisers create.\u003c\/strong\u003e Our True Color CPL removes the warm tone seen with other brands of CPL filters and provides a closer true color representation of the scene. The True Color CPL features a unique two-tone frame with a silver back ring, black front ring and both are made from high-quality aluminum.  NiSi’s True Color CPL utilizes Cine seal technology which blackens the edge of the CPL for added durability. This technology reduces the influence of temperature fluctuations and keeps out condensation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.  The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze.  A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light.  This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies, foliage, and allows the camera to capture what is under the surface of shallow water.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOur proprietary NiSi Pro Nano Coating helps to reduce unwanted reflections and provides a waterproof and scratch-resistant layer to assist in the cleaning of unwanted fingerprints, dust, and water stains.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNiSi’s ultra-thin filter adopts a double-sided, multi-coating lens technology that employs high-quality optical glass.  The NiSi 112mm Circular True Color CPL Filter has an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eNiSi 112mm Circular NC NDs (3-, 6- or 10- Stop) Filters for Nikon Z 14-24mm\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThe NiSi 112mm Circular NC NDs are designed to reduce the amount of light entering the camera by 3, 6 or 10 stops. This filter is made from high-quality optical glass with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and provides a reduction in light entering the lens.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe ND Filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control the depth of field and convey movement in your images. By using neutral density filters the camera is vulnerable to infrared light which will cast the unwanted red color to the photos when shooting at a small aperture. The added infrared protection coating layer to this filter helps to eliminate the infrared light through the lens to bring back the natural color.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNiSi’s ultra-thin filter adopts a double-sided, multi-coating lens technology that employs high-quality optical glass. The frame is constructed from Brass using highly accurate brass milling. These filters also have an exclusive “U” type anti-reflective Nano coating and a hardened waterproof coating. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWhat each density is typically used for\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eND8 (3 Stop) – \u003c\/strong\u003eThe ND8 3-stop is commonly used for waterfalls and capturing water flow at shutter speeds from 0.5 seconds to 2 seconds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eND64 (6 Stop) – \u003c\/strong\u003eThe ND64 6-stop ND filter is generally used during the golden hour to create exposures of 1-2 minutes for smooth water or clouds.  A 6 Stop is also great for capturing dynamic water while retaining some texture before the golden hour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eND1000 (10 Stop) – \u003c\/strong\u003eThe ND1000 10-stop is used during the day outside of golden hour as the bright ambient light requires much more ‘light blocking’. These can prolong exposures for up to 5 minutes during golden hour with the appropriate settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"NiSi","offers":[{"title":"NC UV","offer_id":31983133098082,"sku":"NISI112NCUV","price":2999.0,"currency_code":"ZAR","in_stock":true},{"title":"True Colour CPL","offer_id":31983133130850,"sku":"NISI112TCCPL","price":3299.0,"currency_code":"ZAR","in_stock":true},{"title":"0.9 | 3-Stop | ND8","offer_id":37666306752695,"sku":"NISI112IRND3","price":3299.0,"currency_code":"ZAR","in_stock":false},{"title":"1.8 | 6-Stop | ND64","offer_id":31983133163618,"sku":"NISI112IRND6","price":3299.0,"currency_code":"ZAR","in_stock":false},{"title":"3.0 | 10-Stop | ND10000","offer_id":31983133196386,"sku":"NISI112IRND10","price":3299.0,"currency_code":"ZAR","in_stock":false},{"title":"Natural Night","offer_id":37666301968567,"sku":"NISI112NIGHT","price":3299.0,"currency_code":"ZAR","in_stock":false},{"title":"Lens Hood","offer_id":40372575109303,"sku":"NISI112HOOD","price":1999.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSi-112mm-Circular-Filters-for-Nikon-Z-14-24mm_1800x1800_f46001fc-3b6e-46b1-b181-bb44217f2514.webp?v=1751815343"},{"product_id":"nisi-filters-150mm-explorer-nano-irnd-1-8-6-stop-nd64-1","title":"NiSi 150mm Explorer Nano IR ND 3.0 | 10-Stop | ND1000","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe NiSi Explorer Collection is made for adventure. The filters feature a special glass hardening process that makes them double the strength of typical glass filter. The Explorer series are much less prone to accidental breakage and perfect for active photographers. The NiSi Explorer Collection is made from B270 tempered glass and features the same Nano coating process as NiSi's optical glass filters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe following filters are available in the Explorer Range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNano IRND 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNano IRND 1.8 | 6-Stop | ND64\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNano IRND 3.0 | 10-Stop | ND1000\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMedium Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReverse Graduated Nano IR ND Filter 0.9 | 3-Stop | ND8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWant to know more about the difference between NiSi's optical and Explorer filters? \u003ca href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/landscapegear.co.za\/blogs\/news\/bring-on-the-explorer-a-tougher-and-cheaper-nisi-filter\" target=\"_blank\"\u003eEmil von Maltitz does a side by side comparison here.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cp open=\"\" align=\"left\" data-mce-fragment=\"1\" font-size:=\"\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSolid neutral density filters lengthen exposure by cutting out a specific amount of light. This is very useful for creative purposes, whether you want to blur a wave, waterfall, leopard or a street scene.\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThey are available in many different densities, ranging from 2 to 20 stops, but the most popular are 3-, 6- and 10-stops. Please read the bullet points below to understand the purpose of each. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e3-Stop | 0.9\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- This filter is used to add a slight blur to water before the sun has set or after it has risen. At f\/16 and ISO100, it is impossible to achieve a slow enough shutter speed to get the ideal amount of blur in the waves while the sun is up. Three stops of darkening will normally allow a shutter speed of 1\/10s to 1\/2s during this golden sunlight phase, producing soft lines in the waves. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e6-Stop | 1.8\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- This filter serves the same purpose as the 10-stop, but it is better suited for sunset and sunrise. When the sun is close to setting or rising, a 10-stop ND will require a very long shutter speed at f\/11-16 and ISO100 to produce the correct exposure - often as much as 5-10 minutes. A 6-stop ND is thus much more suited for capturing long exposures of 30-60s around sunset and sunrise. \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e10-Stop | 3.0\u003c\/strong\u003e - This filter is used primarily for blurring the sea to a flat mist and for blurring clouds into abstract lines. It can also be used to remove traffic and people from urban scenes by blurring the moving elements. At f\/11-16 and ISO100, it usually produces a shutter speed of 20-30s in the early morning or late afternoon with strong sunlight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp open=\"\" align=\"left\" data-mce-fragment=\"1\" font-size:=\"\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIR Blocking\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- This filter blocks out unwanted Infra-red light that can cause strange colours in undesired areas and rob images of critical shadow-contrast.\u003c\/p\u003e\n\u003cp open=\"\" align=\"left\" data-mce-fragment=\"1\" font-size:=\"\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNano Coating\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- This filter features a super tough scratch-resistant and hydrophobic nano-coating that ensures that it lasts for years. It also ensures that any rain or spray from the ocean beads properly and is easy to wipe off so you can continue shooting the sunset.\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31989242101858,"sku":"NISI150EXPND10","price":4299.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSiFilters150mmExplorerNanoIRND3.0_10-Stop_ND1000.jpg?v=1680517048"},{"product_id":"nisi-professional-filter-system-kit-for-fujifilm-x100-x100s-x100f-x100t-x100v","title":"NiSi Professional Kit Filter System for Fujifilm X100 Series","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe NiSi Filter System for Fujifilm X100\/X100S\/X100F\/X100T\/X100V (Professional Kit) is designed specifically for the Fujifilm X100 series including X100, X100S, X100T, and X100V camera.  The kit features a Holder, a medium GND, Polarizer, ND8 (3 Stop), Natural Night and carry case.  The holder is easy to install by removing the standard mounting ring from the front of the lens and screwing the holder on to the thread.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe NiSi holder for Fujifilm X100 is built tough made from the same aluminium used in our popular V6 system.  It holds two filters from our P1 mobile phone filter range.  The holder has no vignetting and allows the use of two filters.  The NiSi holder for Fujifilm X100 can be rotated 360 degrees when easily changing between portrait and landscape orientation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe kit features four filters the NiSi Medium GND8 (0.9) 3 Stop Graduated Filter,  NiSi HD Polarizer, ND8 (3 Stop) and Natural Night.  The filters are made from optical quality glass and offer amazing image quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe filter kit includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNiSi X100 Filter Holder\u003c\/li\u003e\n\u003cli\u003eNiSi Medium GND8 (0.9) 3 Stop Graduated Filter\u003c\/li\u003e\n\u003cli\u003eNiSi HD Polariser\u003c\/li\u003e\n\u003cli\u003eNiSi ND8(0.9) 3 Stop\u003c\/li\u003e\n\u003cli\u003eNiSi Natural Night\u003c\/li\u003e\n\u003cli\u003eCarry case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe NiSi Medium GND Filter is a rectangular filter that helps to darken specific areas of an image, such as bright skies while allowing for a normal, unaffected exposure in the other regions of the image.  The medium GND is designed to be moved up and down to control these bright areas.\u003c\/p\u003e\n\u003cp\u003eThe HD Polarizer help reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.  It’s perfect for removing glare on the water, reflections when shooting through glass and provides greater Color and Tonal Saturation.\u003c\/p\u003e\n\u003cp\u003eThe NiSi ND8 (3 Stop) is an ND filter that provides a 3-stop exposure reduction allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time you are able to control the depth of field and show movement in your images, for example, water flow.  This filter is made from high-quality optical glass (not resin) with nano coating to prevent losing any single bit of detail. Neutral density filters do not affect the coloration of the image and the 0.9 density provides a 3 stop reduction in light from entering the lens.\u003c\/p\u003e\n\u003cp\u003eThe NiSi Natural Night Filter is exclusive for night photography and a perfect companion for night cityscapes!  Between mercury vapor, sodium, Low CRI streetlights, there are many undesirable wavelengths of light that pollute the night sky. The glow from these can keep your camera from seeing the sky properly and effect your night images. Because of this, NiSi has created the Natural Night Filter to block the most common wavelengths of light pollution.  Like the rest of the NiSi line, this filter is made of high quality, precision annealed, optical glass. Its surface is finely ground and polished to ensure sharpness for today’s ultra-high megapixel cameras.\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":31989488877666,"sku":"NISIFX100PROKIT","price":1399.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Professional-Kit-Filter-System-for-Fujifilm-X100X100SX100FX100TX100V.jpg?v=1643201877"},{"product_id":"nisi-100mm-filter-holder-for-nikon-z-14-24mm-f-2-8-s","title":"NiSi 100mm Filter Holder for Nikon Z 14-24mm f\/2.8 S","description":"\u003cp\u003eThe more compact design of Nikon’s new Z 14-24mm lens has opened up the door for use of 100mm filter systems on this fantastic ultra-wide lens. This specially adapted version of the V6 holder attaches to the lens’s bayonet mount and allows the use of two 100mm filters without any vignetting.\u003cbr\u003e\u003cbr\u003eThe kit consists of two main components, a front filter holder and the adapter ring. Installation is quick and easy – simply connect the adapter ring to the bayonet mount and then clip the holder onto the adapter ring. \u003cbr\u003e\u003cbr\u003eThe pull and release locking lever on the front holder helps to provide a reliable connection and also allows rotation of the graduated filters to align with slanting horizons. \u003cbr\u003e\u003cbr\u003eThe newly design locking mechanism is easier to operate and doesn’t allow overtightening, which caused a failure on the first generation V6 holders. The holder is made from aviation-grade aluminium and durable plastic composites for a lightweight holder that can take knocks and bumps.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Vp7mbcLcCaU\" height=\"948\" width=\"1641\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":37652469711031,"sku":"NISIHLDNZ1424","price":1999.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/files\/NiSi100mmFilterHolderforNikonZ14-24mmf_2.8S.webp?v=1749739788"},{"product_id":"nisi-ti-pro-titanium-step-up-ring","title":"NiSi Ti Pro Titanium Step Rings for Circular Filters","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLooking for an out of stock size? Find the new \u003ca href=\"https:\/\/landscapegear.co.za\/collections\/nisifilters\/products\/nisi-filters-brass-step-up-rings\" target=\"_blank\" style=\"color: #ff2a00;\" rel=\"noopener noreferrer\"\u003eBrass Step Rings here\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe NiSi Ti Pro Titanium Step Ring allows the use of threaded filters on lenses with smaller filter threads. Featuring a lightweight titanium frame with Knurled sides for easier grip. The Titanium frame offers unparalleled strength, is corrosion resistant and will not bend like standard step-up rings. The Titanium Step up ring prevents binding and jamming making it easier to remove compared to standard setup rings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe NiSi Ti Pro Titanium Step Up Ring has an anti-reflective felt treatment on the inside of the frame to minimise reflections and features a matte black finish. The anti-reflective felt treatment make them the perfect companion for long exposures.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight titanium frame\u003c\/li\u003e\n\u003cli\u003eKnurled sides for easier grip\u003c\/li\u003e\n\u003cli\u003eAntireflective treatment on the inside of the frame to minimise reflections\u003c\/li\u003e\n\u003cli\u003eMatte Black Finish\u003c\/li\u003e\n\u003cli\u003eCorrosion-Resistant, solid titanium frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/IyQCBWERTlY\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"58-82mm","offer_id":38091720130743,"sku":"NISITIAR58-82","price":249.0,"currency_code":"ZAR","in_stock":false},{"title":"58-72mm","offer_id":38091720196279,"sku":"NISITIAR58-72","price":249.0,"currency_code":"ZAR","in_stock":false},{"title":"58-62mm","offer_id":38091720261815,"sku":"NISITIAR58-62","price":249.0,"currency_code":"ZAR","in_stock":false},{"title":"55-62mm","offer_id":38091720294583,"sku":"NISITIAR55-62","price":249.0,"currency_code":"ZAR","in_stock":false},{"title":"46-52mm","offer_id":38091720589495,"sku":"NISITIAR46-52","price":249.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Ti-Pro-Titanium-Step-Up-Rings.jpg?v=1643202064"},{"product_id":"nisi-circular-filter-caddy-for-8-filters","title":"NiSi Circular Filter Caddy for 8 Filters","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe NiSi Circular Filter Caddy for 8 Filters (Holds 8 x up to 95mm) is designed for any circular filters up to 95mm size. The Circular Caddy features a water-repellent material and zipper to protect filters from the elements. It has a shock-proofing to reduce the risk of damage through impact and is very light and compact, perfect to be inserted in a camera backpack. The case opens wide to allow easy access to all 8 filters and features microfibre lined pockets to protect each filter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 8 Filters (Holds 8 x up to 95mm)\u003c\/li\u003e\n\u003cli\u003eWater-repellent material and zipper\u003c\/li\u003e\n\u003cli\u003eShock proofing design\u003c\/li\u003e\n\u003cli\u003eMicrofibre lined pockets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFor 105mm or 112mm filters, we recommend the \u003ca href=\"https:\/\/landscapegear.co.za\/products\/f-stop-gear-filter-case?_pos=3\u0026amp;_sid=dbe11585e\u0026amp;_ss=r\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ef-stop Gear Filter Pouch\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/x8cm3Sk3oA0\" height=\"662\" width=\"1177\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":38147524886711,"sku":"NISICADDYCIRC","price":499.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Circular-Filter-Caddy-for-8-Filters.jpg?v=1643202069"},{"product_id":"nisi-filters-150mm-s6-nisi-s6-filter-holder-kit-with-natural-cpl","title":"NiSi 150mm S6 Filter Holder Kit with True Colour Circular Polariser","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDesigned for landscape photographers who wish to combine an ultra-wide-angle lens with a filter system supporting multiple filters.  The S6 allows the use of an integrated PRO CPL and two 150mm wide filters (2mm thick) with 360 degrees of rotation for the CPL. The S6 has no vignetting when the holder is in the normal straight position, with a small amount of vignetting when the holder is on a special 45-degree angle.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe S6 features a new locking system to lock the main filter holder in position. The integrated wheel can be easily rotated to lock the holder in place with a locking system that feels natural and easy to use.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"\"\u003eDue to the wide focal length and the large amount of light coming in from the bulb head, ghosting and flare can occur when using a filters system. To solve this problem, the S6 main adaptor uses the same matting treatment as the high-end lens hood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe NiSi S6 \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNatural\u003c\/span\u003e CPL For S6 150mm Holder is an ultra HD polariser designed to \u003cspan class=\"a-list-item\"\u003eeliminate reflections and glare effectively when using ultra-wide-angle lenses.  Is made using \u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003eNitto polarising film and increases the saturation of the scene. The \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eNatural\u003c\/span\u003e CPL provides\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ea more uniform polarisation, Increases the intensity of polarisation, maintains a more neutral color balance, and has a greater haze reduction effect.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Colour CPL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– This filter has\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eno colour tone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand renders colours true to the original scene. It’s important to keep in mind that polarization changes certain colours slightly, so if you pixel peep you will come across some difference and that is all-natural and nothing to worry about.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape Enhanced CPL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– This filter has a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esubtle cool tone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand it is slightly stronger than most CPL’s on the market. It is designed with landscape photographers in mind and helps to cut through more glare while adding extra contrast to skies and giving water bodies that fresh, cool feeling. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard CPL\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– This filter has a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esubtle warm tone\u003c\/strong\u003e, which can be great for anything from landscapes to architecture. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt all comes down to personal taste and deciding whether you want a cool or warm tone or to keep all colour enhancement to the computer. Find more info and side by side comparisons in\u003cspan\u003e \u003c\/span\u003e\u003ca class=\"js-no-transition\" href=\"https:\/\/landscapegear.co.za\/blogs\/news\/which-nisi-circular-polariser-is-right-for-you\" target=\"_blank\"\u003ethis article\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecomparing the versions by Matt Bouch. \u003c\/p\u003e\n\u003cp\u003eA geared design allows the integrated CPL to be rotated while using 150mm filters using two gear located on the rear of the holder, a design feature taken from our leading 100mm  holders.  The holder allows very quick installation and removal without removing the lens from the camera.  The front of the holder with clips holding the 150mm filters can be rapidly removed to allow focus and easy replacement or removal of the filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe S6 has an updated design based on feedback from our users over the S5 including:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe design of the front filter holder has been refined to make it easier to insert and remove ND filters.\u003c\/li\u003e\n\u003cli\u003eA new integrated locking system to lock the front filter holder.\u003c\/li\u003e\n\u003cli\u003eNew matting treatment on the inside of the adaptor to reduce reflection, ghosting, and flare.\u003c\/li\u003e\n\u003cli\u003eThe rear locking ring is oxidized silver for an improved look.\u003c\/li\u003e\n\u003cli\u003eThe S6 features a new compact case to store and protect the S6 kit.\u003c\/li\u003e\n\u003cli\u003eIncludes a Lens Cap to protect the CPL.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe kit includes the S6 holder, S6 adaptor mount for the Sony 12-24mm, a NiSi Landscape C-PL, lens cap, and a case to store the holder.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SvvlVpQpyIA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"NiSi","offers":[{"title":"Nikon 14-24mm f\/2.8","offer_id":38207471943863,"sku":"NISI150S61424","price":9125.0,"currency_code":"ZAR","in_stock":false},{"title":"Sigma 14-24mm f\/2.8","offer_id":38207471976631,"sku":"NISI150S61424S","price":9125.0,"currency_code":"ZAR","in_stock":false},{"title":"Sigma 14-24 F2.8 (For Sony E-Mount)","offer_id":38207472009399,"sku":"NISI150S61424E","price":9125.0,"currency_code":"ZAR","in_stock":false},{"title":"Standard Filter Threads (105mm, 95mm \u0026 82mm)","offer_id":38207472042167,"sku":"NISI150S6STD","price":9125.0,"currency_code":"ZAR","in_stock":false},{"title":"Sony FE 12-24mm f\/2.8 GM","offer_id":38207471911095,"sku":"NISI150S61224","price":9125.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2701\/1120\/products\/NiSi-Filters-150mm-S6-NiSi-S6-Filter-Holder-Kit-with-Natural-CPL-2.jpg?v=1648644763"}],"url":"https:\/\/landscapegear.co.za\/collections\/black-friday-2025.oembed?page=7","provider":"Landscapegear","version":"1.0","type":"link"}